Coralie Blush Petal Glass Chandelier

The craftsmanshipThe Art Glass DifferenceWhy hand-cast art glass beats molded glass & resin, the many shapes our artisans create, and how to spot the real thing. ▦ Material comparison ✦ One craft, many shapes 🔍 Spot genuine glass Open 01 · Material Comparison Hand-cast art glass vs. molded glass vs. resin Three materials look similar in a thumbnail — but live very differently on your wall. Here's how our hand-cast art glass compares. Our Hand-Cast Art Glass Molded / Pressed Glass Resin / Acrylic Imitation How it's made Hand-cast & shaped by artisans, one piece at a time Machine-pressed in a fixed mold, mass-produced Liquid resin poured into a mold, mass-produced Texture & pattern Unique crackle texture — no two tubes alike Identical, repeating pattern on every unit Flat, "printed-on" look; texture feels superficial Light quality Deep, layered glow; light refracts through real glass Even but flat; little depth or movement Dull, slightly cloudy; can look plasticky when lit Feel & weight Substantial, cool, solid in the hand Solid but uniform Noticeably light, warm, hollow-feeling Color over time Color is in the glass — won't fade or yellow Stable color Can yellow or cloud with heat & UV over time Heat tolerance High — glass handles bulb heat well High Lower — can warp or discolor near heat Character A one-of-a-kind work of glass art A functional, uniform fixture A budget look-alike The takeaway: hand-cast art glass costs more to make, but it's the only one that gives you genuine depth of light, individual character, and lasting color — the qualities that make a fixture feel like art rather than hardware. 02 · Forms & Shapes One craft, many shapes Every piece begins the same way — molten glass, hand-cast and shaped by our artisans. From that single craft comes a whole family of forms, each catching and releasing light in its own way. Hand-shaping molten glass Forming the textured surface Shaping each piece by hand Crafting the crackle texture Bringing color to the glass Finished glass tubes Assembled into the fixture ✦ Custom shapes & colors available Looking for a different shape, size, or color in this art glass? We offer full customization — just reach out and our designers will help. 03 · Buy With Confidence How to spot genuine art glass Online photos can make resin and glass look alike. Here's how to tell the difference once it's in your home — every point below describes our fixtures. 1 Pick it up Real glass is cool and substantial. Resin feels warm, light, and hollow. Our tubes have real weight — many customers say the heavy box was their first clue it's genuine. 2 Look at the texture Hand-cast crackle texture has true depth you can feel with a fingertip. Resin texture looks like it's printed on a flat surface. 3 Turn on the light Glass refracts light into a layered, moving glow. Resin tends to look flat, dull, or slightly cloudy when lit. 4 Compare two pieces No two hand-cast tubes are exactly identical. If every piece looks machine-perfect and matched, it's molded — not artisan glass. Our promise: every fixture is genuine hand-cast art glass. Slight variation between pieces isn't a flaw — it's proof it was made by hand. Exclusive Customization Made To Order Love the design but need it tailored to your space? We offer comprehensive customization solutions — dimensions, surface finishes, chain lengths, and more. Simply tell us your requirements, and we'll take care of the rest. Our Hand-Blown Glass Color Palette Custom Size Surface Finish Glass Color Chain Length Light Count Step 01 Share Your Idea Message us online and get a fast response to your brief. Step 02 Expert Consultation Our designers advise on size, finish, and proportion for your room. Step 03 We Craft It Made to spec and inspected before it ships. support@korewolamp.com Colour is a bigger decision than shape. This one is honest about what it does. The Coralie Blush Petal Glass Chandelier hangs dozens of curved glass petals in stepped tiers, each one hooked over the frame and turning outward as it falls. Look closely at a single petal and it changes along its length — clear and almost colourless where it hooks over the rim, deepening to a soft opaque blush at the tip. That gradient is inside the glass, not painted on it, so every petal reads as two things at once: a pale edge catching the light from above, and a rosy body glowing beneath it. Colour in a chandelier is a bigger decision than shape, and this one is honest about what it does. Amber warms a room; clear glass leaves it alone; pink changes it. Switch this on and the light that lands on your walls and faces carries a faint rose cast — flattering in the way candlelight is flattering, and unmistakably a choice rather than a default. It suits rooms that can take it: a dressing room, a bedroom, a powder room, a dining room with pale walls and warm wood. 1 Pink Glass Changes the Room. White Doesn't.This is the choice that matters. Light through pink petals carries a faint rose cast onto pale walls and faces — warm and flattering, but a real change. The white version leaves your room's colours exactly as they are. Choose by what you want the light to do, not by which photograph you prefer. 2 Each Petal Fades Along Its Own LengthClear at the top where it hooks over the frame, opaque at the tip. Every petal reads as two things at once — a pale edge catching light from above, and a coloured body glowing beneath it. Because the gradient is in the material, it cannot chip off an edge or fade beside a warm bulb. 3 112 Petals, So Nothing Shines ThroughEach tier steps in over the one below and the petals sit shoulder to shoulder. With 19 lamps behind that much overlapping glass, there is no angle from underneath where you see a bulb — which matters on a fixture hung over a table where people sit and look up. 4 Every Petal on Its Own HookNothing here is a moulded panel. Each petal hangs from its own point on the frame, which is why the tiers overlap the way they do — and why a single damaged petal is unhooked and replaced on its own rather than the whole chandelier going back. Dimensions & Placement ∅ 37.4″ × H 23.6″ ∅ 95 × H 60 cm · 112 glass petals Bedroom or Dressing RoomWhere the pink version belongs first. A tinted light is an asset in a room you get ready in and relax in, and a liability in one you work in. Pale walls take it best; a room already painted a strong colour will fight it. Over a Dining TableAt 37.4″ across it suits a round table of 60–75″ or a rectangular one 48–56″ wide. Hang the lowest petal 30–36″ (75–90 cm) above the tabletop — lower than feels right at first, but nobody walks under a table. Entry or Powder RoomCeilings of 9 ft (2.7 m) and up. At 23.6″ deep it is shallower than most fixtures this wide, so it works on a standard ceiling — but keep 7 ft (2.1 m) of clearance anywhere people walk beneath it. Where It Must Not GoIndoor, dry locations only. Not a bathroom, not above a bath or shower, not a laundry, and not a covered porch or balcony. Also think twice about a kitchen — 112 overlapping petals are a long job to clean, and cooking grease settles into overlaps. Specification MaterialMetal Frame · Curved Glass Petals Body finishGold · Nickel GlassPink or White — graduated from near-clear at the top to opaque at the tip Glass petals112 petals in stepped tiers Dimensions∅ 37.4″ × H 23.6″ (∅ 95 × H 60 cm) Light sourceLED bulb recommended — warm white 2700K Bulb base19 × E12 / E14 (bulbs not included) The small candelabra screw base — E12 in North America, E14 in Europe and most of Asia. VoltageAC 110–240V CertificationUL / CE / SAA ControlWall switch — dimmable with dimmable bulbs on a compatible dimmer SuspensionChain — shortened on site by removing links Wiring59.1″ Hardwired — professional installation recommended MountingCeiling EnvironmentIndoor, dry locations only ApplicationBedroom · dressing room · dining room · entry · powder room Customized serviceYou can easily customize the size, finish color, number of light sources, and hanging wire & chain length. Simplify the customization process and communicate directly with our designers online. Please feel free to contact us by email if you have any questions. Our email: support@korewolamp.com What Makes It Special 01 Pink Is a Decision, Not a Finish Most colour choices on a chandelier change only the fixture. This one changes the room. Amber glass warms a space, clear glass leaves it alone — and pink recolours it, laying a faint rose cast over pale walls, ceilings and faces. It is the same quality that makes candlelight flattering, and it is unmistakably a choice rather than a default. Which is exactly why the white version exists: identical shape, identical 112 petals, neutral light. Choose the pink for a room you want softened; choose the white for a room you want lit. 02 Two Colours in Every Petal Look closely at one petal and it is not a single tone. Where it hooks over the frame the glass is near-clear and almost colourless; by the time it reaches the tip it has deepened to an opaque blush. So each petal reads as two things at once — a pale edge catching light from above, and a coloured body glowing beneath it. Stack 112 of those in overlapping tiers and the fixture has depth from every angle: bright at the top where the clear edges gather, dense and rosy at the base. The gradient is within the glass rather than sprayed onto the surface, which means it cannot chip at an edge and will not fade beside a warm bulb. 03 Petal by Petal, Onto the Frame Nothing here is a moulded panel. Every one of the 112 petals hooks over its own point on the frame, which is what allows the tiers to overlap this closely — and it is why the fixture ships flat and is assembled in the room, the only practical way a piece this wide arrives intact. It also means a single damaged petal is unhooked and replaced on its own. Built as a sealed unit, one broken piece would mean returning the whole chandelier: freight both ways, weeks of waiting, and a bare ceiling in the meantime. The Design Most Chandeliers Light a Room. This One Colours It. Which is a bigger decision than it sounds. Switch it on and look at the wall, not at the fixture. That is where you see what pink glass actually does — a faint rose cast settling across pale paint, warmest near the ceiling, fading as it falls. Faces soften the same way they do by candlelight. It is not a strong colour and nobody walking in would say "the light is pink," but the room is quietly different, and that difference is the entire reason to choose it. Almost every other decision in lighting is about shape or size. Colour is the one that reaches past the fixture and touches everything else in the room, which is why so few chandeliers commit to it — clear glass is the safe answer, and amber is as far as most will go. Pink is a room you have decided something about. It belongs where you get ready in the morning and unwind at night, over a dressing table, in a bedroom with pale walls, in a powder room small enough to be theatrical. Not in a kitchen, and not anywhere you need to judge a colour accurately. The glass itself carries two colours at once. Where each petal hooks over the frame it is near-clear and almost colourless; by the tip it has deepened to an opaque blush, and that fade runs within the material rather than across its surface. Multiply it by 112 petals in overlapping tiers and the fixture has depth from every angle — bright and pale where all the clear edges gather at the top, dense and rosy where the tips crowd together at the base. And if the pink is not the room you had in mind, the same 112 petals come in white: identical shape, identical light, no cast at all. Getting Ready Over a dressing table it does what a ring light never could — warms the face instead of flattening it. A Pale Bedroom White walls take the cast best. The colour lands on the room rather than fighting whatever is already there. Or Not Pink at All The same 112 petals in white glass. Same tiers, same overlap, neutral light — for rooms that need to stay true. Clear glass is a default. Pink is a decision. Questions, Answered Before You Order What pink glass does to a room, which colour to pick, and how it hangs. 01Will it make my whole room look pink? It will tint the light — softly, not strongly. Switch it on and you'll see a faint rose cast on pale walls and ceilings, strongest close to the fixture and fading further away. Faces look warmer, the way they do by candlelight. What it is not is a pink light. Nobody walking in would say the room is pink; they'd say it feels soft. The effect is most visible on white walls and almost invisible on dark ones. And if that isn't what you want, the same chandelier comes in white glass — identical shape, identical 112 petals, no tint at all. 02Should I choose pink or white? Ask what you do in the room. Pink suits a bedroom, a dressing room, or a powder room — places you relax in and get ready in, where warm, flattering light is the point. Pale walls take it best. White suits a kitchen, a home office, a dining room you also work at, or anywhere you need to see colours accurately — choosing fabrics, doing makeup close up, cooking. You get the same tiered petal shape with completely neutral light. Still unsure? Send us a photo of the room and we'll tell you which one suits it — including when the answer is white. 03Why is each petal two different colours? Because the colour is inside the glass, not painted on it. Each petal starts almost clear where it hooks over the frame and deepens to solid blush at the tip. So every petal is a pale edge with a coloured body beneath it — and with 112 of them overlapping, the fixture looks bright and light at the top where all the clear edges gather, and dense and rosy at the bottom. Because it's in the material, it can't chip off an edge or fade next to a warm bulb. 04Will I see the bulbs? No. The petals sit shoulder to shoulder and each tier steps in over the one below, so there's no angle from underneath where a bulb shows — not even standing directly beneath it. That matters over a dining table, where people sit and look up for a whole evening. 05Is it too big for my room? It's 37.4″ across and 23.6″ deep — wide, but shallower than most chandeliers this size, so it works on a 9 ft ceiling where a deep tiered fixture wouldn't. Over a table, aim for about half the table's width: this suits a round table of 60–75″ or a rectangular one 48–56″ wide. Cut a paper circle at 37.4″ and lay it on the table — two minutes, and it settles the question. 06How low should I hang it? Over a dining table, the lowest petal should sit 30–36″ above the tabletop — lower than feels right at first, but nobody walks under a table and that's where it looks best. Anywhere people walk, keep 7 ft of clearance above the floor. It hangs on a chain, so the height is set on installation day by taking links out. 07What bulbs does it take? 19 small candle bulbs — E12 in the US and Canada, E14 in Europe and most of Asia. Bulbs are not included. Choose warm white, around 2700K. This matters more here than usual: cool white light through pink glass turns it mauve and cold, losing exactly the warmth you bought it for. Use the same bulb in all 19 — mixing brands means mixing colour, and on glass this pale you'll see it. 08Can I dim it? Yes, with dimmable bulbs on a dimmer switch. Ordinary bulbs won't dim whatever switch you fit — that's the usual reason people think a new light is faulty. With 19 sockets, add up the wattage of all the bulbs together and check your dimmer is rated for that total. Worth mentioning to your electrician while they're there. 09Is it hard to install? It's hardwired and needs a licensed electrician. Turn the power off at the breaker, not just the wall switch. The frame goes up first, then the petals are hooked on row by row, from the top down. That part takes patience rather than skill — but there are 112 of them, so allow proper time and have two people: one holding, one hooking. Also check the ceiling before ordering. All that glass hangs from one point, so your electrician should confirm the ceiling box is rated for the weight and fixed to the structure above. Ask us for the exact weight and pass it on. 10How do I clean 112 petals? Switch off, let the bulbs cool, then work with a soft dry cloth or a dry extendable duster, from the top row downward so dust falls away from what you've already done. Once or twice a year is plenty. One thing worth knowing before you buy: this is not a kitchen fixture. Overlapping glass and cooking grease is a genuinely unpleasant combination, and no amount of dusting fixes it once it's settled in. 11What if a petal breaks? That petal is replaced on its own. Each one hooks over its own point on the frame, so a single damaged piece never means sending back a fixture this size — which would mean freight both ways and weeks with a bare ceiling. If anything arrives damaged, send us photos within 24 hours of delivery and we'll replace the affected petals. After that we keep spares — just tell us the colour and we'll send them. 12Can I put it in a bathroom? No. It's rated IP20 — indoor dry rooms only, with no protection against water or steam. A powder room with no shower or bath is fine; a bathroom that gets steamy is not, and that includes over a bathtub. Send us a photo of your room and we'll tell you whether the pink or the white belongs in it. Also in this shape The Same Petal, Four Colours Curved glass petals in overlapping tiers — the silhouette is shared. The colour is the decision, because it changes what happens to your room, and the diameter decides which room it can go in. Smallest Auriane Pebbled Champagne Glass Chandelier ∅ 19.7″ · Champagne · Gold The quietest of the four. A pale tea-gold with a hammered pebbled surface — warm enough to soften a room without recolouring anything in it. Choose this if your room is small or already pale, and you want warmth rather than a statement. $895.00 View Product The cool one Lisette Curved Petal Glass Chandelier ∅ 27.5″ · Blue + Opal · Gold or Nickel The only cool colour in the family. Each petal runs translucent blue at the rim to milky opal at the centre — so you see blue, while the light that reaches the table stays warm and white. Choose this if your room runs neutral and you want the fixture to be the one thing in it with colour. $995.00 View Product Largest · 5 tiers Isadora Cascading Amethyst Glass Chandelier ∅ 39.4″ · Amethyst · Gold 122 petals across five tiers. Deep aubergine unlit; switch it on and the light comes through amber-rose rather than purple. Choose this if you want the fixture to be the event — and have a 52–60″ table or a double-height entry to put it over. $4,795.00 View Product Colour is the harder decision, not size. Champagne warms without recolouring, blue stays cool and reads as the one accent in a neutral room, amethyst turns amber-rose when lit, and blush lays a soft tint across pale walls. Tell us your wall colour, wood tone and how much daylight the room gets, along with your ceiling height and table width, and we will tell you which one belongs there — including when the smallest is the right answer. Email support@korewolamp.com.