Rosalind Fluted Amber Glass Chandelier

The craftsmanshipThe Art Glass DifferenceWhy hand-cast art glass beats molded glass & resin, the many shapes our artisans create, and how to spot the real thing. ▦ Material comparison ✦ One craft, many shapes 🔍 Spot genuine glass Open 01 · Material Comparison Hand-cast art glass vs. molded glass vs. resin Three materials look similar in a thumbnail — but live very differently on your wall. Here's how our hand-cast art glass compares. Our Hand-Cast Art Glass Molded / Pressed Glass Resin / Acrylic Imitation How it's made Hand-cast & shaped by artisans, one piece at a time Machine-pressed in a fixed mold, mass-produced Liquid resin poured into a mold, mass-produced Texture & pattern Unique crackle texture — no two tubes alike Identical, repeating pattern on every unit Flat, "printed-on" look; texture feels superficial Light quality Deep, layered glow; light refracts through real glass Even but flat; little depth or movement Dull, slightly cloudy; can look plasticky when lit Feel & weight Substantial, cool, solid in the hand Solid but uniform Noticeably light, warm, hollow-feeling Color over time Color is in the glass — won't fade or yellow Stable color Can yellow or cloud with heat & UV over time Heat tolerance High — glass handles bulb heat well High Lower — can warp or discolor near heat Character A one-of-a-kind work of glass art A functional, uniform fixture A budget look-alike The takeaway: hand-cast art glass costs more to make, but it's the only one that gives you genuine depth of light, individual character, and lasting color — the qualities that make a fixture feel like art rather than hardware. 02 · Forms & Shapes One craft, many shapes Every piece begins the same way — molten glass, hand-cast and shaped by our artisans. From that single craft comes a whole family of forms, each catching and releasing light in its own way. Hand-shaping molten glass Forming the textured surface Shaping each piece by hand Crafting the crackle texture Bringing color to the glass Finished glass tubes Assembled into the fixture ✦ Custom shapes & colors available Looking for a different shape, size, or color in this art glass? We offer full customization — just reach out and our designers will help. 03 · Buy With Confidence How to spot genuine art glass Online photos can make resin and glass look alike. Here's how to tell the difference once it's in your home — every point below describes our fixtures. 1 Pick it up Real glass is cool and substantial. Resin feels warm, light, and hollow. Our tubes have real weight — many customers say the heavy box was their first clue it's genuine. 2 Look at the texture Hand-cast crackle texture has true depth you can feel with a fingertip. Resin texture looks like it's printed on a flat surface. 3 Turn on the light Glass refracts light into a layered, moving glow. Resin tends to look flat, dull, or slightly cloudy when lit. 4 Compare two pieces No two hand-cast tubes are exactly identical. If every piece looks machine-perfect and matched, it's molded — not artisan glass. Our promise: every fixture is genuine hand-cast art glass. Slight variation between pieces isn't a flaw — it's proof it was made by hand. Exclusive Customization Made To Order Love the design but need it tailored to your space? We offer comprehensive customization solutions — dimensions, surface finishes, chain lengths, and more. Simply tell us your requirements, and we'll take care of the rest. Our Hand-Blown Glass Color Palette Custom Size Surface Finish Glass Color Chain Length Light Count Step 01 Share Your Idea Message us online and get a fast response to your brief. Step 02 Expert Consultation Our designers advise on size, finish, and proportion for your room. Step 03 We Craft It Made to spec and inspected before it ships. support@korewolamp.com One glass tube is ordinary. A hundred and eight become architecture. The Rosalind Fluted Amber Glass Chandelier is built from dozens of short glass cylinders, each fluted along its length so the wall ripples rather than runs smooth. They hang in stepped rows that draw inward as they descend, forming a deep dome that comes almost to a point at the base. The glass carries a warm amber tone throughout — not a coating on the surface but colour running through the material, so the fixture reads honey-gold whether it is lit or not. A single cylinder is an ordinary thing. Two hundred of them, stacked in tiers, become architecture — light entering each tube, travelling down its fluted walls, and leaving as a soft vertical streak, so what you see from below is not one bright source but hundreds of small glowing columns layered over each other. The frame does almost nothing on purpose: a slim brass stem and a small canopy, with the whole visual weight carried by the glass. It suits a dining room, an entry, or a stairwell — anywhere with the height to let a deep fixture hang properly and the space to let it be the only thing you notice. 1 108 Tubes, Not a Moulded ShadeEvery tube is a separate piece of glass, hung individually on the frame. That is what gives the fixture its depth — you look through one layer of glass into the next — and it is why a single damaged tube is replaced on its own rather than the whole chandelier going back. 2 Fluted Walls, Not Smooth OnesEach tube is ribbed down its full length, so light leaves as a soft vertical streak instead of a flat glow. Multiply that by 108 and what you see from below is a field of small glowing columns rather than one bright mass. 3 The Colour Is In the GlassAmber through the material, not a coating on the surface. It cannot chip off an edge or fade with age — and it means the fixture holds its warmth in daylight with the power off, where clear glass simply goes grey. 4 Twenty-Four Sockets, No Visible BulbThe lamps sit deep inside the fixture, screened by tube after tube on every side. You get the brightness of two dozen bulbs with nothing hard to look into from a seated position at a table. Dimensions & Placement ∅ 35.4″ × H 25″ ∅ 90 × H 63.5 cm · suspended on a rigid stem Over a Dining TableWhere a fixture this wide belongs. At 35.4″ across it suits a round table of 60–72″ or a rectangular one 44–54″ wide. Hang the lowest glass 30–36″ (75–90 cm) above the tabletop — nobody walks under a table, so it can sit lower here than anywhere else. Entry & Double-Height FoyerCeilings of 11 ft (3.3 m) and up. The fixture is 25″ deep before the stem is added, so it needs vertical room to read as a dome rather than a ceiling plate. Centre it over the open floor, and keep 7 ft (2.1 m) of clearance anywhere people walk. Hospitality & Large RoomsRestaurant dining rooms, hotel lobbies, private event spaces. A 24-socket fixture carries a room on its own — but plan access for changing bulbs before it goes up, because two dozen lamps at height is a scaffold job, not a stepladder one. Where It Must Not GoIndoor, dry locations only. Not for a bathroom, above a bath or shower, in a laundry, or on a covered porch or balcony — those positions need a fixture rated for damp or wet conditions. The Drop Is Fixed — Measure Before You Order This is the one thing to get right. Unlike a chain-hung chandelier, this one hangs on a rigid stem, which keeps it dead level and stops it swinging or twisting — but it also means the height is set when it is made, not adjusted on installation day. So measure first: from your ceiling down to where you want the lowest glass to sit. Over a table that is 30–36″ above the tabletop; anywhere people walk it is 7 ft above the floor. Then tell us that measurement when you order and we will confirm the stem length before anything is built. Specification MaterialMetal Frame · Fluted Glass Tubes Body finishGold GlassAmber — fluted along the length, colour running through the material Glass tubes108 tubes in stepped tiers Dimensions∅ 35.4″ × H 25″ (∅ 90 × H 63.5 cm) Light sourceLED bulb recommended — warm white 2700K Bulb base24 × E12 / E14 (bulbs not included) The small candelabra screw base — E12 in North America, E14 in Europe and most of Asia. Voltage110V–240V available CertificationUL / CE / SAA ControlWall switch — dimmable with dimmable bulbs on a compatible dimmer, see note below SuspensionRigid stem — drop fixed at manufacture, not adjustable on site WiringHardwired — professional installation recommended MountingCeiling EnvironmentIndoor, dry locations only ApplicationDining room · entry · double-height foyer · restaurant or lobby Customized serviceYou can easily customize the size, finish color, number of light sources, and hanging wire & chain length. Simplify the customization process and communicate directly with our designers online. Please feel free to contact us by email if you have any questions. Our email: support@korewolamp.com What Makes It Special 01 Density Is the Whole Design A chandelier this size could have been made from a dozen large pieces of glass. It is made from 108 small ones instead, and that is the entire argument. Each tube is short enough to be cut and finished properly, and hung close enough to its neighbours that the rows overlap rather than meet edge to edge. Standing under it you are looking through three or four layers of glass at once — which is why the fixture has depth from below and reads as a solid dome from across the room. Density is also what hides the bulbs: with two dozen sockets buried behind that much glass, there is no angle from a chair where you see a filament. 02 Fluted, and Amber All the Way Through Two decisions, both made in the glass rather than added afterwards. The fluting — ribs running the length of every tube — breaks the light into soft vertical streaks, so a lit tube reads as a column of texture instead of a smooth glowing shape. The amber is in the material itself, not a coating, which means it cannot chip at an edge, cannot scratch off, and will not fade beside a warm bulb. It also means the fixture is worth looking at unlit: on a bright afternoon it holds its honey tone against a pale ceiling, where a clear-glass chandelier goes flat and grey. 03 A Stem, Not a Chain On a fixture 35 inches across, a chain is a liability — it lets the piece rotate slowly over months until the tiers sit crooked to the room, and it swings whenever a door opens. A rigid stem does neither. It holds the chandelier level and square to your table, and it gives a cleaner line to the ceiling than a chain does at this scale. The trade is that the height is decided when it is built rather than on the day: measure from your ceiling to where you want the lowest glass, tell us that number when you order, and we will confirm the stem length before anything is made. The Design A Hundred and Eight Small Decisions Nobody buys a chandelier this size to be subtle. Stand under it and look up. What you see is not one lamp — it is row behind row of small glass columns, each one lit from within, each one slightly offset from the tubes above and below it. Your eye goes three or four layers deep before it stops. That depth is the entire reason this fixture exists, and it is why nothing about it could have been made simpler. It would have been easier to build a chandelier this wide from a dozen large pieces of glass. Instead there are 108 short tubes, and every one of them is a separate decision: where it hangs, how far it overlaps its neighbour, which row it belongs to. Each is fluted down its length — ribbed, not smooth — so the light leaving it arrives as a soft vertical streak rather than a flat glow. One tube like that is an ordinary object. A hundred and eight of them, stacked and stepped, become architecture. The amber is the other half of it, and it is in the glass rather than on it. That distinction matters more than it sounds. A tinted coating chips at the edges and fades beside a warm bulb; colour running through the material cannot do either. It also means the fixture is worth looking at when it is off — at four in the afternoon it holds its honey tone against a pale ceiling, while a clear-glass chandelier of the same size simply goes grey and waits. This one is never off duty. The Table That Fills Twenty-four bulbs, none of them visible. Faces lit warmly right across a long table, and nothing glaring back at anyone. Seen From the Door Three feet across and two feet deep. In an entry it is not a light you notice second — it is the first thing anyone registers. All Day, Unlit Amber glass keeps its warmth in daylight. Clear glass goes grey the moment the power is off; this holds its colour until evening. One tube is ordinary. A hundred and eight of them are the room. Questions, Answered Before You Order The height, the size, and what 24 bulbs behind amber glass actually looks like. 01Can I change how low it hangs? Not after it is made — so please read this before ordering. This chandelier hangs from a solid rod, not a chain. A chain can be shortened on the day by taking links out; a rod cannot. What you get in return is a fixture that hangs perfectly level and never swings or slowly rotates, which matters a lot on something three feet across. But the height is decided when it is built. So measure first: from your ceiling, down to where you want the lowest piece of glass to sit. Over a dining table that is 30–36″ above the tabletop. Anywhere people walk, it is 7 ft above the floor. Send us that number when you order and we will confirm the rod length before anything is built. 02Is it too big for my room? It is 35.4″ across and 25″ deep — a large fixture, and it is meant to be the thing you notice in a room. Over a table, the usual rule is about half the table width, so this suits a round table of 60–72″ or a rectangular one 44–54″ wide. In an entry or open room, you want 11 ft of ceiling or more — it is 25″ deep before the rod is added, so it needs vertical room to look like a dome rather than a lid. Not sure? Cut a circle of paper at 35.4″ and lay it on the table. It takes two minutes and settles the question. 03Twenty-four bulbs — will it be too bright? Bright, yes. Harsh, no. All 24 bulbs sit deep inside the fixture, behind rows of glass, so nothing shines directly at anyone. What reaches the table has passed through amber glass first, which warms it and softens it on the way. If you want the option of turning it down, fit dimmable bulbs and put it on a dimmer — with this many sockets a dimmer is worth having. 04Will the amber make my room look orange? It makes the light warmer, not orange. Think of the difference between a candle and a fluorescent tube — it pushes in that direction, and most people read it as the room feeling comfortable rather than as a colour. The bonus is what happens with the light off. Clear glass looks grey in daylight; this keeps its honey tone all day against a pale ceiling. A chandelier is switched off for most of the day, so that matters more than it sounds. 05What bulbs does it take? 24 small screw-in bulbs — the candle-bulb size. E12 in the US and Canada, E14 in Europe and most of Asia. Bulbs are not included. Choose LED rather than halogen: two dozen bulbs enclosed in glass generates real heat, and LED runs far cooler. Pick warm white, around 2700K, and use the same bulb in all 24 — mixing brands means mixing colour, and on a fixture this dense you will see it. 06Can I dim it? Yes, with dimmable bulbs on a dimmer switch. Ordinary bulbs will not dim whatever switch you fit — that is the usual reason people think a new light is faulty. One extra thing with 24 sockets: add up the wattage of all the bulbs together and check your dimmer is rated for that total. It is a bigger number than most people expect, and it is worth mentioning to your electrician while they are there. 07Will my ceiling hold it? Check before you order. 108 pieces of glass on a metal frame is genuinely heavy, and all of it hangs from one point. Your electrician needs to confirm the ceiling box is rated for the weight and properly fixed to the structure above — a standard box carries far less than most people assume, and a fixture this size often needs a brace fitted first. Ask us for the exact weight and pass it to them before ordering. 08Is it hard to install? It is a hardwired ceiling fixture and needs a licensed electrician. Turn the power off at the breaker, not just the wall switch. The frame and rod go up first, then the glass tubes are hung row by row. That part takes patience rather than skill, but two people make it far easier — one holding, one hanging — and there are 108 tubes to get through, so allow proper time rather than squeezing it into the end of a day. 09How do I clean it — and change 24 bulbs? Both are easier to think about before it goes up. Over a dining table you will need to move the table or bring a platform in, so plan how you will reach it — two dozen bulbs at height is not a stepladder job. For cleaning, use a soft dry cloth or a dry extendable duster, working from the top row downward so dust falls away from what you have already done. Switch off and let the bulbs cool completely first. Once or twice a year is plenty. 10What if a glass tube breaks? That tube is replaced on its own. Each one hangs individually on the frame, so a single damaged piece never means sending back a fixture this size — which would mean freight both ways and weeks with a bare ceiling. If anything arrives damaged, send us photos within 24 hours of delivery and we will replace the affected tubes. After that we keep spare tubes for this fixture and can send them at any time. Before You Install Two Guides, Written for This Most installation questions come up twice — once when you are deciding where a light goes, and again when it is in your hands. We wrote one guide for each. Step One — Deciding Installation Scenario Guide Which room, which size, and how high. Read this before you order, while the choice is still open and nothing has been drilled. How high to hang over a table, an island, a stairwell Matching fixture size to room size and table width Clearance in walkways, and what a low ceiling changes Where a fixture should not go at all Read the Scenario Guide Step Two — Fitting Installation Process Guide The fitting itself, step by step. Read this when the box arrives — ideally before you open it. Unpacking glass safely, and what to check on arrival Junction box weight, support, and when to add a brace Wiring, canopy fitting, and setting the chain length Why two people make almost every fixture easier Read the Process Guide Still not sure? Send us your ceiling height, the size of the table or room, and where the junction box sits. We will tell you which size fits and what the install involves — including when the answer is that this piece is wrong for the space. Email support@korewolamp.com. Also in star-profile glass One Tube, Three Ways to Use It The same star-section glass tube — fluted, colour running through the material — built into three completely different fixtures. Choose by where the light has to go, and by how much ceiling you actually have. On the wall Pink Ice Star-Shaped Glass Tube Wall Light W 14.6″ × H 11.4″ · Pink + Clear · Gold The tube at wall scale, in pink over clear rather than amber — cooler, softer, and it reads as jewellery beside a mirror. Also sold as a set of two for a symmetrical pair. Choose this if you want the look either side of a vanity, a bed, or a doorway — no ceiling height needed at all. $395.00 · set of 2 available View Product Low ceilings Amber Star-Shaped Glass Tube Ceiling Light ∅ 17.7″ × H 13.4″ · Amber · Gold Two tiers of amber tube, sitting close to the ceiling instead of hanging from it. At 13.4″ deep it gives you the same glass on a standard 8 ft ceiling. Choose this if you love the amber but your ceiling won't take a chandelier — bedrooms, hallways, low-clearance living rooms. $895.00 View Product 7 Reviews Star Shaped Tube Amber Glass Chandelier ∅ 22.8″ × H 19.7″ · Amber · Gold The tubes radiating outward from a centre point into a full star. The most reviewed of the three, and the one that carries a dining room on its own. Choose this if you have a table to hang it over and the height to let it drop — 9 ft of ceiling or more. $1,890.00 View Product Mixing them works. Because all three use the same glass tube, a wall pair in a hallway and a chandelier in the dining room read as one language rather than two separate purchases — and the flush mount lets you carry it into a room with a low ceiling where a chandelier could never go. Send us your ceiling heights room by room and we will tell you which goes where. Email support@korewolamp.com.