Film Scanner Set Duo for 35mm + 120 Medium Format

Two formats, one system: Digitize 35mm film and 120 medium format with one shared light source and a copy stand instead of buying two separate setups. Flat right into the corners: The Dual-S curve spans each film strip across its full width without glass plates or Newton rings. Feed film through from the side: Insert strips from the side and advance them frame by frame. The Top Plate stays in place. You only need to lift it for short snippets and when changing formats; the magnetic Top Plate is the mask. Modular: From the holder duo (Basic), through the CS-LITE lighting system (Light), to the scanning station with Copy Stand (Copy). Compatibility Film: all 35mm negatives (24×36mm) and all 120 roll-film negatives (6×6, color and black-and-white), strips and individual frames. Camera: for photographing with a DSLR or mirrorless system camera. Light sources: CineStill CS-LITE (included with Light and Copy); in Basic, compatible with Negative Supply, Kaiser Slimlite Plano, Raleno LED Panel, and any light source measuring at least 95 × 150mm. Expandable: with additional Top Plates for Half Frame, X-Pan, 6×4.5, 6×7, and 6×9. Not sure which version suits your workflow? Go to the Film Scanner Finder Included in the box Component Basic Light Copy 35mm film holder (Base + Top Plate 24×36mm) yes yes yes 120 film holder (Base + Top Plate 6×6, 56×56mm) yes yes yes CineStill CS-LITE light source no yes yes CSL Adapter Plate 35 no yes yes 35mm light hood (Hood M) no yes yes 120 light hood (Hood L) no yes yes Extension Tubes no yes yes Copy Stand MK2 (60 cm) with screen-printed plate and aluminum profile no no yes You need a tripod head for the Copy Stand This applies to the Copy version; Basic and Light do not include a Copy Stand. The Copy Stand has a 3/8" screw on top; a tripod head is not included. The setup is: Copy Stand, tripod head on top, and camera on top of that. You use the joint to align the camera exactly parallel to the negative, which is why the profile does not have a fixed camera mount. Practically any ball or geared head will fit, since 3/8" is the standard on the underside of the head. If you have a tripod, simply unscrew the head and use it here. If you do not have your own head, a simple mini ball head with a 3/8" connection is sufficient. Technical details Material: plant-based bioplastic (PLA+), matte black, non-reflective Formats: 35mm film (24×36mm) and 120 medium format (6×6, 56×56mm) Film guidance: Dual-S curve for even flatness without glass plates Attachment: magnetic Top Plates (neodymium) Expandable: Top Plates for Half Frame (18×24mm), X-Pan (24×65mm), 6×4.5, 6×7, and 6×9 Light source (Light/Copy): CineStill CS-LITE: direct fit on the 120 Base Plate, and via the Adapter Plate on 35mm Overall dimensions: 35mm holder 120 × 73 × 32mm, 120 holder 150 × 95 × 32mm (L × W × H) Film plane above the stand surface: 15.7mm (35mm) or 17mm (120); for 120, this is also the distance to the light source, while for 35mm the Adapter Module adds 1.5mm Made in Würzburg, Germany Description Anyone who shoots both 35mm and medium format has previously needed two separate film-holder sets to digitize their negatives, along with twice the number of light sources and tripods. This duo combines both formats in one system: one light table, one Copy Stand, and two magnetic film holders. Switching between 35mm and 120 takes seconds, and the Dual-S curve keeps the film flat across its full width. Manufactured in-house in Würzburg, each holder is checked for proper fit before shipping. The system remains expandable: additional Top Plates cover Half Frame, X-Pan, and the remaining 120 formats. In testing Robert Sakowski tested our set with several films against his previous film holder and switched over because of its fit on the light source, the magnetic-mask format change, and the film flatness. Watch his video (11 minutes, German).