AudioSolutions Figaro L2 3 Way Floorstanding Speakers

In addition to the 4 standard model configurations available , you can also custom configure your AudioSolutions Figaro Speakers to fit your personal style and taste. Built them with an assortment of colors and custom upgrades. Click here and create the speakers of your dreams! https://my.audiosolutions.lt/,action.templates_list,gid.1 Pricing varies in accordance with your custom configuration. We can help you configure your speakers or you can do it yourself at the above link. Call us with your custom configuration code or for assistance creating your own speakers at 406-285-3910 AudioSolutions Figaro L2 is a statement three-way floorstanding loudspeaker that combines exceptional scale with a notably natural, non-fatiguing tonal balance. Dual 233 mm ER paper-cone bass drivers produce deep, articulate, room-filling bass, while the wide-band 183 mm midrange covers the crucial 400 Hz–4 kHz region for unusually seamless vocals and instrumental timbres. A Mini-Horn-loaded silk-dome tweeter adds refined detail and spaciousness without harshness. Its Cabinet-in-a-Cabinet enclosure, high-mass construction, adjustable spike outriggers, WBT NextGen bi-wire terminals, and customizable satin finishes make the Figaro L2 as serious in engineering as it is visually striking. The result is a speaker with expansive imaging, effortless dynamics, superb bass authority, and a smooth, coherent musical character. Meet the all-new Figaro! An evolution of our most successful speaker series. Five years have passed since the original Figaro was introduced in 2018 and yet we are pushing the limits once again. The new Figaro is vastly improved in all aspects. Embrace a new modern design with brass metal accents and satin color options. We give you a remarkable tandem of performance and design where science meets art. Description Figaro! maintains timeless AudioSolutions design. Designed to be easily driven by most amplifiers and with the ability to be placed very close to the wall. Figaro's task is to make your life easier with as simple as possible setup, cable, and amplifier matching. We wish you many great moments while listening to your Figaro. Features Three-way speaker system designed with Mini-Horn loaded silk dome tweeter and our unique midrange driver which works in extended mid-band effectively making it an Extended-Band driver, allowing us to push crossover frequencies of the drivers further away from the most critical area for the human ear - 1000-1500Hz and thus reduce crossover distortions and perception of them. Two whole new re-designed ER (Extra Rigid) hard paper cone bass drivers deliver faster and deeper bass response and improve overall sound clarity. The Cabinet-In-a-Cabinet enclosure system taken from upper scale Virtuoso series contributes to a complex closed system that eliminates unwanted resonances by turning acoustical energy into heat, allowing all drivers to perform with precision and dynamics. Figaro features outriggers with height-adjustable spikes, WBT NextGen connection terminals with bi-amping for models L and XL, and also a whole new 6 unique never seen before satin finishes with brass metal accents. Specifications Dimensions speaker only (HxWxD) : 1240mm x 336mm x 581mm; 48.82 x 13.23 x 22.87in Dimensions with outriggers (HxWxD) : 1270mm x 472mm x 581mm; 50.0 x 18.6 x 22.87in Weight : 75 kg/165 lbs each Shipping weight : 82 kg/180 lbs each Sensitivity : 92 dB @ 2.83V 1m Suggested amp power : 20-500 W; Impedance : nominal 4,0 ohms Crossover frequency : 400 Hz; 4000 Hz Frequency response (in-room environment) : 24-25000 Hz Drivers : 19mm silk dome tweeter, 18.3cm ER paper cone mid, two 23.3cm ER paper cone bass drivers Mini Horn Loading Figaro utilizes a Mini-Horn loading technology to cope with the infamous soft domes problem - cone breakup and cone "walk". Cone breakup and "walk" happens when a soft dome tweeter is being driven hard at high signal levels. Distortions rise exponentially because: a) when a certain point in signal level and thus dome acceleration/amplitude is reached, the center part of the dome flexes in an uncontrolled fashion due to the silk's soft nature b) differences in air pressure behind the dome and in front of the dome creates a nonlinear environment and overcome suspension ability to prevent axial movement of the cone Our Mini-Horn is based on acoustical dampening which happens at the frontal dome area. We carefully measure at which frequencies the dome starts to flex and emit an avalanche of distortions. Mini-Horn then is designed and manufactured according to desired specifications to dampen those frequencies. The result is a proportional dampening of the tweeters’ movement. The louder it plays the more dampening and air pressure on the frontal area it gets from its own emitted sound. It is described as acoustical impedance and is highly dependent on the Mini-Horn's shape. Another positive by-product of this process is that Mini-Horn adds sensitivity and thus the efficiency of the driver. Extended Band Midrange The human ear has uneven sensitivity to different frequencies. We are naturally less sensitive to high frequencies and especially to low frequencies. The exception is sensitivity to mid frequencies in the 1000-2000Hz band due to evolution. Simply put - in nature, the sounds of life-threatening events lie more or less in 1000-2000Hz diapason, so naturally, we are most sensitive to that so we could stay alert. The downside of this phenomenon in this rather safe modern world is that we can hear and pinpoint the slightest imperfections in reproduced sound at those frequencies. And imperfections in sound reproduction are called distortions. Most of the manufacturers calculate crossover points in exactly this area of 1000-2000Hz. Since each driver has its natural spectrum of distortions we actually can hear the transition from one driver to another, let alone an additional distortions caused by the crossover phase shift. The resulting sound is described as an unnatural or multi-way sound. It is not possible to completely eliminate natural-born driver's distortions or the phase shift in crossover which is mathematically tied to how db/oct crossover is calculated. The only way to fight this is to utilize crossover points away from this region of 1-2kHz. For that reason, we created an Extended Band Midrange driver. Crossover points of 400-4000Hz are one octave away from the sensitive band. Not only this solution helps with crossover distortion perception but the listener gets uniform, unchopped sound coming from one driver with virtually zero phase shift. Homogenous sound in our opinion is one of the biggest goals in the audio industry. Cabinet In A Cabinet System The human ear has uneven sensitivity to different frequencies. We are naturally less sensitive to high frequencies and especially to low frequencies. The exception is sensitivity to mid frequencies in the 1000-2000Hz band due to evolution. Simply put - in nature, the sounds of life-threatening events lie more or less in 1000-2000Hz diapason, so naturally, we are most sensitive to that so we could stay alert. The downside of this phenomenon in this rather safe modern world is that we can hear and pinpoint the slightest imperfections in reproduced sound at those frequencies. And imperfections in sound reproduction are called distortions. Most of the manufacturers calculate crossover points in exactly this area of 1000-2000Hz. Since each driver has its natural spectrum of distortions we actually can hear the transition from one driver to another, let alone an additional distortions caused by the crossover phase shift. The resulting sound is described as an unnatural or multi-way sound. It is not possible to completely eliminate natural-born driver's distortions or the phase shift in crossover which is mathematically tied to how db/oct crossover is calculated. The only way to fight this is to utilize crossover points away from this region of 1-2kHz. For that reason, we created an Extended Band Midrange driver. Crossover points of 400-4000Hz are one octave away from the sensitive band. Not only this solution helps with crossover distortion perception but the listener gets uniform, unchopped sound coming from one driver with virtually zero phase shift. Homogenous sound in our opinion is one of the biggest goals in the audio industry. ER Cone Base Drivers Second generation Figaro speaker utilizes re-designed bass drivers with ER paper cones. Er stands for Extra Rigid paper. It is actually visible on the cone surface as flakes of hard pulp and fibers and is natural to rigid cones. ER paper cones were chosen due to all the pros of traditional paper cones and the pros of hard material cones. Hard cones (metal, ceramic, etc.) provide uniform push-pull movement where all cone's points act as a uniform piston which is desirable. Con is that hard cones have the potential to have early break-up points and ringing due to a lack of dampening properties inside the material itself. Paper on the other hand does not have break-up points as it is quite soft and flexible but it does not act as a piston, and usually, the edge of the paper cone are fluttering, and all cone is flexing. Having positive properties of paper and introducing hardening materials like sturdy fibers and hard pulp gives us a unique cone that acts as a piston, but at the same time does not have ringing or early cone breakup points. ER cones allowed us to introduce new piston-like bass drivers and of course our Extended Band Midrange. Exclusive Personalization Program AudioSolutions' Exclusive Personalisation team is ready to help you to customize your speaker. Please address us for custom coloring or style. We can do small changes and we can make completely tailor-made speakers. Our team works in conjunction with architects, and designers and is ready to make a one-of-one product for your living room. Please visit MY.AUDIOSOLUTIONS.LT to use our speaker configurator and design your speakers the way you like them best. But how does it sound??? Sound character The Figaro L2 sounds full-range and composed. Its dual 233 mm bass drivers give it the physical weight to reproduce orchestral crescendos, electric bass, kick drums, and electronic low frequencies with genuine room-filling scale. The low end can be described as monumental and low-reaching, yet importantly not inflated or overblown; the speaker aims for firmness, pace, and natural proportionality rather than “big bass” for its own sake. Its most distinctive subjective quality is likely its midband coherence. The dedicated 183 mm Extended-Band midrange covers a very broad 400 Hz–4 kHz range, keeping the critical vocal and instrumental region largely within one driver. That helps voices, piano, guitars, strings, and brass emerge as continuous, naturally connected images rather than sounding segmented across crossover regions. AudioSolutions deliberately positions its crossover points away from the especially sensitive 1–2 kHz range. Treble is delivered by a 19 mm silk-dome tweeter with the company’s Mini-Horn/wave-plate loading. Expect a refined rather than etched high end: clear transient detail, air, and spatial information without the hard or insistent quality sometimes associated with metal-domed designs. The overall balance is precise and transparent at both low and high playback levels, never exaggerated into an analytical or aggressive sound. Soundstage presentation is appropriately large for a speaker of this physical size. The L2 creates a broad, spacious, full-scale image with strong dynamics and good rhythmic response—well suited to dense recordings that need to remain organized when the music gets loud. Key features Feature What it does Feature What it does Three-way configuration Separates bass, midrange, and treble duties for high output capability and lower distortion 19 mm Mini-Horn-loaded silk-dome tweeter Designed to improve dome control and sensitivity while retaining the smooth character associated with silk domes 183 mm Extended-Band midrange Covers 400 Hz–4 kHz, minimizing crossover activity through much of the ear’s most sensitive range Dual 233 mm ER paper-cone woofers “Extra Rigid” paper cones are intended to combine paper’s self-damping with more piston-like behavior for fast, deep bass Cabinet-in-a-Cabinet construction An inner and outer enclosure, coupled with a polyurethane damping layer, is designed to dissipate cabinet vibration as heat Closed-box loading Supports controlled bass behavior and can make room integration more predictable than many ported alternatives Outriggers and adjustable spikes Improve stability and allow leveling on different floors WBT NextGen terminals with bi-amping capability Provides a high-quality connection interface and optional separate amplification paths Custom finish options Satin finishes, brass accents, and configurable cosmetic details make the L2 unusually flexible visually The speakers are rated at 92 dB sensitivity with a nominal 4-ohm impedance and a suggested amplifier range of 20–500 watts. Their stated in-room response is 24 Hz–25 kHz, and each cabinet is substantial at 124 cm high, 33.6 cm wide, 58.1 cm deep, and approximately 75 kg. Practical pairing and placement Although the Figaro L2 is physically imposing, AudioSolutions designs the range to be relatively amplifier-friendly and usable closer to a rear wall than many large floorstanders. The 92 dB sensitivity should allow it to work with a broad selection of quality integrated amplifiers or power amplifiers, but its 4-ohm nominal impedance and strong bass capability mean it will reward an amplifier with real current delivery and control. It is most at home in a medium-to-large room. Recommended size for rooms around 40 square metres or somewhat larger, where the cabinet volume and woofer area can develop their low-frequency authority without overwhelming the space.