Lily, Elizabeth Brown

The same four frames, warmed all the way through — sepia, tobacco, an ochre that reads almost as candlelight. In browns, Elizabeth Taylor becomes less photograph than portrait: older, more painted, further from the fifties and closer to something on a wall. Easy to wear, because the warmth in the ground meets the warmth in skin rather than arguing with it. Original artwork, digitally printed and finished in Italy. Hand washable.