Doppelbildnis Karneval | Max Beckmann

This print of Max Beckmann's 'Doppelbildnis Karneval' from 1923 features a double portrait of the artist and his wife in a carnival scene. It combines personal biography with social observation, highlighting identity, self-representation, and the tension between intimacy and estrangement.

• The description claims that the work is a central example of classical modernism.