COOKE VINTAGE '64 ANAMORPHICS (6 LENS)

COOKE VINTAGE '64 PANCHRO ANAMORPHIC 40mm, 50mm, 75mm, 100mm, 140mm, (150, 200, 280 w/ 2x) FEATURING: OSC’s Cooke '64 Vintage Panchro Anamorphic Primes are a one of a kind Cinema with amazing colors and base lens of ‘60’s Cooke Speed Panchro. ARRI PL Mount, serviced by Duclos Lenses. Featuring: Amazing brilliance in color, while delivering naturalistic feel and geometry from the smooth latest “Mystery” series Anamorphic Of that era. ‘64 Panchro Anamorphics are versatile with iris @ ~T2.3 painterly feel with smooth cinematic resolve. With iris @ T4, delivering the sharpness of Modern Anamorphic and coupled with Cooke Speed Panchros! Color, Focus Depth, Geometrics, Cinematic Bokeh and Vintage Lead Based Cinema at its finest. When filming on Sony, RED, ARRI, CANON, PANASONIC, Any camera will find it’s sensor painted with light from these beauties! Expect nothing but pure blue flair, oval bokeh. Cooke Speed Panchros emerged around 1953, incorporating lens coatings and new glass, following earlier Speed Panchros, while the S3 Series (often grouped as S2/S3 for their similar vintage feel) came later, around 1959, offering improvements, though both were mainstays from the 1930s through the 1960s, defining the "Golden Age" look, with modern rehoused versions available today. Cooke S2 (Series II) Era: Introduced around 1953. Key Feature: A major upgrade, bringing lens coatings and rare-earth glass (like thorium dioxide) to the Speed Panchro line, reducing reflections and improving performance. Usage: Became central to filmmaking from the mid-50s onward, known for their soft, warm, low-contrast look. Cooke S3 (Series III) Era: Introduced in 1959, often paired with S2s. Key Feature: Further refinements to the S2 design, continuing the classic "Cooke Look" with consistent performance. Usage: Also popular in the 1960s and beyond, used in iconic films like The Sound of Music. The "S2/S3" Combo Many modern rehoused sets combine S2 and S3 elements (like the TLS rehoused lenses) because they offer a very similar vintage character, being improvements over even earlier un-coated Speed Panchros. In essence, S2s were the 1950s coated upgrade, with S3s arriving at the decade's end, but both defined the iconic, desirable look of classic Hollywood cinema through the 60s. LENS FOCAL STOP CF OD WT IRIS L NSF HS DS ELITE-ARV-SCOPE 25 2.2-22 3.2’ 142 5.0 lbs? 8? 3.0’? Y N N SHIGA FUJI-SCOPE 28 2.0-22 3.5’ 130 4.3 lbs 8 3 - 3.5” N N N LOMO SQR FRNT 35 2.9-16 4.0’ 114 3.2 lbs 10 3.5 Y N N COOKE ’64 PANCHRO 40 2.3- 22 3.3’ 136 8.0 lbs 32 5.2 - 6” Y N N COOKE ’64 PANCHRO 50 2.3- 32 3.5’ 104 4.0 lbs 12 6.2 - 7.2” Y Y N COOKE ’64 PANCHRO 75 2.3- 32 3.3’ 104 5.0 lbs 24 6.7 - 7.2” Y N N COOKE ’64 PANCHRO 100 2.8- 32 3.5’ 104 7.0 lbs 12 9.0 - 9.5” Y N N COOKE ’64 PANCHRO 140 3.7- 32 3.0’ 110 5.0 lbs 12 7.7 - 8.5” Y N N COOKE ’64 PANCHRO 150 w2x 4.0- 32 3.6’ 104 7.0 lbs 24 7.7 - 8.2” Y N N COOKE ’64 PANCHRO 200 w2x 5.6- 32 3.5’ 104 7.0 lbs 12 10 - 9.5” Y N N ⭐️AVAIL FROM OSC RENTAL DEPT / CLA ⭐️ Call ☎️ 760-309-2302