Duna IV

In Duna IV, Wilame Lima reduces the landscape to a small arrangement of horizontal zones, blurred vegetation, and shifting tonal passages. A pale expanse opens above a darker, unsettled band, while the lower section retains traces of land, water, or exposed ground without fixing the scene as a complete description. The acrylic is handled through thin, dispersed marks that allow the canvas surface to remain active within the image. Part of the Apocalypse series, the painting tests how much spatial information can be withdrawn while a place still retains atmospheric force.