Marisol Sea Blue Disc Glass Chandelier

Watch See It Lit Photographs flatten glass. These are the two things a still cannot show you — what the light does, and how close the colour really is. 01 Lit, in the Room Your browser does not support embedded video. Open the video file directly. 02 The Glass, Up Close Your browser does not support embedded video. Open the video file directly. Filmed in our own workshop — no rendering, no CGI. The craftsmanshipThe Art Glass DifferenceWhy hand-cast art glass beats molded glass & resin, the many shapes our artisans create, and how to spot the real thing. ▦ Material comparison ✦ One craft, many shapes 🔍 Spot genuine glass Open 01 · Material Comparison Hand-cast art glass vs. molded glass vs. resin Three materials look similar in a thumbnail — but live very differently on your wall. Here's how our hand-cast art glass compares. Our Hand-Cast Art Glass Molded / Pressed Glass Resin / Acrylic Imitation How it's made Hand-cast & shaped by artisans, one piece at a time Machine-pressed in a fixed mold, mass-produced Liquid resin poured into a mold, mass-produced Texture & pattern Unique crackle texture — no two tubes alike Identical, repeating pattern on every unit Flat, "printed-on" look; texture feels superficial Light quality Deep, layered glow; light refracts through real glass Even but flat; little depth or movement Dull, slightly cloudy; can look plasticky when lit Feel & weight Substantial, cool, solid in the hand Solid but uniform Noticeably light, warm, hollow-feeling Color over time Color is in the glass — won't fade or yellow Stable color Can yellow or cloud with heat & UV over time Heat tolerance High — glass handles bulb heat well High Lower — can warp or discolor near heat Character A one-of-a-kind work of glass art A functional, uniform fixture A budget look-alike The takeaway: hand-cast art glass costs more to make, but it's the only one that gives you genuine depth of light, individual character, and lasting color — the qualities that make a fixture feel like art rather than hardware. 02 · Forms & Shapes One craft, many shapes Every piece begins the same way — molten glass, hand-cast and shaped by our artisans. From that single craft comes a whole family of forms, each catching and releasing light in its own way. Hand-shaping molten glass Forming the textured surface Shaping each piece by hand Crafting the crackle texture Bringing color to the glass Finished glass tubes Assembled into the fixture ✦ Custom shapes & colors available Looking for a different shape, size, or color in this art glass? We offer full customization — just reach out and our designers will help. 03 · Buy With Confidence How to spot genuine art glass Online photos can make resin and glass look alike. Here's how to tell the difference once it's in your home — every point below describes our fixtures. 1 Pick it up Real glass is cool and substantial. Resin feels warm, light, and hollow. Our tubes have real weight — many customers say the heavy box was their first clue it's genuine. 2 Look at the texture Hand-cast crackle texture has true depth you can feel with a fingertip. Resin texture looks like it's printed on a flat surface. 3 Turn on the light Glass refracts light into a layered, moving glow. Resin tends to look flat, dull, or slightly cloudy when lit. 4 Compare two pieces No two hand-cast tubes are exactly identical. If every piece looks machine-perfect and matched, it's molded — not artisan glass. Our promise: every fixture is genuine hand-cast art glass. Slight variation between pieces isn't a flaw — it's proof it was made by hand. Exclusive Customization Made To Order Love the design but need it tailored to your space? We offer comprehensive customization solutions — dimensions, surface finishes, chain lengths, and more. Simply tell us your requirements, and we'll take care of the rest. Our Hand-Blown Glass Color Palette Custom Size Surface Finish Glass Color Chain Length Light Count Step 01 Share Your Idea Message us online and get a fast response to your brief. Step 02 Expert Consultation Our designers advise on size, finish, and proportion for your room. Step 03 We Craft It Made to spec and inspected before it ships. support@korewolamp.com You look into each disc, not at it. Marisol Sea Blue Disc Glass Chandelier, Every disc carries a smoky pattern that moves through the glass rather than across its face — denser toward the middle, thinning to almost clear at the rim. Lit from behind, you are looking into the disc rather than at it, and the pattern has depth the way a stone does. That is also why no two discs match. The colour here is pale, cool and unevenly distributed, so light passes through it in some places and is held in others. That reads as sea glass rather than as tint: something that got its colour from somewhere rather than something that was coloured. And because the glass is transparent rather than milky, the colour stays in the fixture — your walls and your table stay the colour they were. 1 The Swirl Is Inside the DiscNot a print on the surface and not an even tint. The pattern runs through the glass, so lit from behind you are looking into the disc rather than at it — and it has depth the way a stone does. It is also why no two discs match. 2 A Green That Reads as Sea GlassThe green people remember from the seventies was flat, heavy and evenly tinted, and the light came through it grey. This is pale, transparent and unevenly coloured — light passes through in some places and is held in others. Natural rather than decorative. 3 The Colour Stays in the FixtureTransparent glass tints what you look through, not what the light lands on. Your walls and your table stay the colour they were. What casts colour is milky, opaque glass — and that is where most people's bad experience of coloured lighting came from. 4 Every Disc Clips On SeparatelyNothing is set into a moulded panel. One chipped disc is unclipped and replaced on its own rather than the whole chandelier coming down from the ceiling. Dimensions & Placement ∅ 19.3″ × H 19.3″ · 49 × 49 cm Over a Round Dining TableAt 19.3″ across it suits a round table of roughly 42–54″ (105–135 cm) — a chandelier should read as clearly narrower than the tabletop. Hang the lowest disc 30–36″ (75–90 cm) above the surface. A Standard Ceiling Suits ItJust over a foot and a half of body before any chain, so it fits an 8 ft ceiling without crowding it. It is also exactly as tall as it is wide — which is unusual, and why it reads as one compact mass rather than as a stack of rings. A Neutral Room, an Entry, a BedroomGreen is the one colour that reads as natural rather than decorative, so it sits in a room of pale plaster, white and wood without turning it into a themed one. Keep the lowest disc at least 7 ft (2.1 m) off the floor anywhere people walk beneath it. Where It Must Not GoRated IP20 — no protection against water. Not for a bathroom, above a bath or shower, in a laundry, or on a covered porch. Those need a damp- or wet-rated fixture. Specification MaterialMetal Frame · Glass Discs GlassBlue — transparent, with a smoky swirl through each disc Body finishNickel, Gold Glass discs36 discs in overlapping tiers, each clipped on individually Recommended bulb2700K warm white — a cool bulb pushes green toward grey. Same bulb in every socket. Bulb baseE12 Bulbs VoltageAC 110–240V CertificationUL / CE / SAA ControlWall switch — dimmable with dimmable bulbs on a compatible dimmer WiringHardwired — professional installation recommended MountingCeiling Ingress ratingIP20 — indoor, dry locations only Warranty1 year Preparation time5–10 days — made to order and inspected before dispatch ApplicationDining room · living room · bedroom · entryway · hotel corridor CustomisationSize, finish, number of lights, chain length — talk to us before ordering Please feel free to contact us by email if you have any questions. Our email: support@korewolamp.com What Makes It Special 01 Why It Doesn't Read as Seventies Green Green lighting carries a memory, and it is not a flattering one: the flat, heavy smoked glass of the 1970s, where the colour sat evenly across the whole panel and the light came through it grey. Anyone drawn to a green fixture is quietly wondering about that, so it is worth saying plainly what is different here. The colour in this glass is pale, transparent and unevenly distributed — the swirl is denser in some places than others, so light passes through in some and is held in others. That unevenness is the whole difference. It reads as sea glass held up to a window: something that got its colour from somewhere, rather than something that was coloured. Against neutral walls and wood it looks natural rather than decorative. 02 Thirty Discs, Thirty Patterns The swirl runs through the body of each disc rather than across its face, which has a consequence: no two are the same. On a single pendant that claim is hard to verify — there is nothing to compare it to. On a fixture built from dozens of discs hanging in the same volume of air, it is the first thing you notice. Some are almost clear at the rim with a dense knot at the centre; others carry the green right to the edge. Hung together and lit from within, the overlap deepens the colour where discs cross and leaves it palest at the outer rims, so the fixture is never one flat tone from any angle. It also hides the lamps completely: from below you see a glowing mass, not a bulb. 03 Made to Your Room, Not Ours Diameter, finish, the number of lights, the length of chain — all of it can be changed before the piece is made. At 19.3″ across this suits a 42–54″ round table, and someone with a longer table or a taller room would otherwise have to buy the wrong scale or buy elsewhere. Tell us the room and we will build to it. It is also why the glass clips on disc by disc rather than being moulded into panels — a fixture assembled from individual pieces can be made in any configuration, and a single damaged disc can be replaced without the chandelier leaving the ceiling. The Glass, Up Close A Photograph, Not a Render Most lighting online is sold on computer renders — perfectly even colour, perfectly clean edges, every disc identical. This is the actual glass, shot under an actual lamp, with the variation left in. Real photograph Colour on a screen is a guide, not a match. 59″ 150cm Hanging Height Every fixture ships with a 150 cm / 59″ chain, shortened at installation by removing links — so the drop is set in your room, not at our factory. Please contact us if you require a longer length. Sloped ceiling version Raked or Vaulted Ceilings Standard canopies are flat, so a specific style is required for sloped ceilings. Please contact us if you need a model designed for sloped ceiling installation. The Design You Look Into It, Not At It The green is inside the glass, not on it. Green in lighting carries a memory, and it is not a flattering one. The heavy smoked glass of the 1970s was tinted evenly across the whole panel, and the light that came through it arrived grey. Anyone drawn to a green fixture is quietly wondering whether this is that — so it is worth saying at the start what is different. The colour here is uneven on purpose. Each disc carries a smoky swirl that moves through the glass rather than across its face — denser toward the middle, thinning to almost clear at the rim. Light passes through in some places and is held in others, and that unevenness is the whole difference. It reads as sea glass held up to a window: something that got its colour from somewhere, rather than something that was coloured. It also means no two discs are the same. On a single pendant that claim is impossible to check — there is nothing to compare it against. Here there are dozens hanging in the same volume of air: some almost clear at the edge with a dense knot at the centre, others carrying green right to the rim. Close enough to compare, and different enough that you keep finding new ones. Hung together and lit from within, they stop reading as separate pieces. The overlap deepens the colour where discs cross and leaves it palest at the outer edges, so the fixture is never one flat tone from any angle — and the lamps disappear entirely behind it. From a chair at the table you see a glowing mass, and no bulb at all. And because the glass is transparent rather than milky, the colour stays where you can see it. Your walls and your table stay the colour they were. That is the difference between a room with a green chandelier in it and a room that has been made green. Switched Off, at Noon Daylight comes through the discs from the window side, so the swirls read as glass rather than as a dark shape. It is an object all day. Dinner, With the Lamp On No bulb visible from any seat. Green above the table, and a table that is still the colour you chose it in. Turned Down Low Dimmed, the pale rims fade first and the dense centres hold on — so late in the evening the swirls are all that is left. A room with a green chandelier in it — not a room that has been made green. Questions, Answered Before You Order The colour, the glass, and what to check before an electrician arrives. 01Will it look like 1970s smoked glass? No, and the reason is the unevenness. That green was tinted flat across the whole panel, and light came through it grey. Here the swirl is denser in some places and almost clear in others, so light passes through in some and is held in others. It reads as sea glass rather than as tint — natural rather than decorative. 02Will it make my room green? No. Transparent glass tints what you look through, not what the light lands on. Walls and table stay the colour they were. What casts colour is milky or opaque coloured glass — and that is where most people's bad experience of coloured lighting came from. 03Is the swirl printed on the glass? No — it runs through the disc rather than sitting on its face. That is why you look into each one rather than at it, and why it has depth the way a stone does. 04Will mine look like the photograph? The shape will. The discs won't — every one has its own swirl. Some are almost clear at the rim with a dense knot at the centre; others carry green right to the edge. On a fixture with dozens of them, that is the whole effect. 05Which bulb should I use? 2700K warm white, and it matters more here than on most fixtures. A cool or daylight bulb pushes green toward grey — same glass, none of the reason you bought it. [__] × E12, not included. Use the same bulb in every socket: through transparent glass, one odd colour temperature shows from across the room. 06Will I see the bulbs? No. The discs overlap in tiers, so the lamps are screened from every angle. From a chair at the table you see a glowing mass, not a bulb. 07What size room does it suit? 19.3″ across and 19.3″ tall — exactly as tall as it is wide, which is why it reads as one compact mass rather than a stack of rings. Over a round dining table it suits roughly 42–54″ across, and it fits a standard 8 ft ceiling without crowding it. 08How high do I hang it? 30–36″ from the tabletop to the lowest disc. Anywhere people walk beneath it, keep 7 ft clear of the floor. The chain shortens on site — for a taller ceiling, tell us before it ships. 09Will my ceiling take the weight? Ask before ordering. Dozens of glass discs hang from one ceiling point, and a standard junction box carries less than most people assume — a brace is often needed. Ask us for the weight and give it to your electrician. 10Can I change the size or the number of lights? Yes. Diameter, finish, light count and chain length can all be changed before it is made — it is built after you order. Tell us the room and the table size and we will work it out with you. 11How do I clean it? If a disc breaks? Cleaning: power off, let the bulbs cool, then a soft dry cloth on each disc. No ammonia sprays. Twice a year is enough. If one breaks: each disc clips on separately and is replaced alone — the chandelier stays up. Photos within 24 hours if damaged in transit; spares held after that. 12Where can't it go? Rated IP20 — no water protection at all. Not in a bathroom, above a bath or shower, in a laundry, or on a covered porch. Indoor, dry locations only. Before You Install Two Guides, Written for This Most installation questions come up twice — once when you are deciding where a light goes, and again when it is in your hands. We wrote one guide for each. Step One — Deciding Installation Scenario Guide Which room, which size, and how high. Read this before you order, while the choice is still open and nothing has been drilled. How high to hang over a table, an island, a stairwell Matching fixture size to room size and table width Clearance in walkways, and what a low ceiling changes Where a fixture should not go at all Read the Scenario Guide Step Two — Fitting Installation Process Guide The fitting itself, step by step. Read this when the box arrives — ideally before you open it. Unpacking glass safely, and what to check on arrival Junction box weight, support, and when to add a brace Wiring, canopy fitting, and setting the chain length Why two people make almost every fixture easier Read the Process Guide