Boundweave on Rosepath with Stephanie Morton (MAY 5-9)
May 5 - 9 (TUES-SAT, 9 AM–4 PM) Learn the intricacies of how to weave rug samplers on a rosepath threading using 3 different treadlings that create very different designs and textures. Starting with an unbalanced treadling, instructor Stephanie Morton will show you how to weave delicate patterns, followed by two tie-up changes that will expand and embolden your designs. You’ll learn to design a polychrome draft; design while weaving on the loom; understand basic color theory for weft-faced textiles; play with warp and weft balances to find the best thickness of rug; start and end your rug with sturdy decorative headers; perfect your angling and beat; execute clean selvedges; and securely finish your edges. Using Harrisville Design's line of woolen-spun Highland yarns, you will play with fabulous colors that will inspire your rug weaving at home. This 4-harness structure offers more intricate design possibilities for krokbragd weavers who want more detail in their weaving. A Harrisville Designs Model A4 loom is provided, along with all necessary equipment and our 100% woolen yarns in 64 colors. Please note: This is a rigorous class designed for intermediate weavers only. You must be able to warp your loom in half a day. Skill Level: Intermediate. Students must be proficient at dressing a loom, have experience warping a loom with cotton, and be able to read drafts independently. Materials List: Students need to bring two 1/2 pound spools of black or natural 8/4 cotton such as Brassard et Fils, depending on preference for a light or dark base weft color. A notebook, ruler, scissors, pencil, and slippers or socks are also recommended for this class. *If you reserve a room in the Boarding House, your room fee is due at the end of your stay. Please scroll down to read more important information about the Cheshire Mills Boarding House. Cancellation Deadline: 3/10/2026 MEET YOUR TEACHER Stephanie Morton studied ethnic weaving in various countries while at Friends World College. She has since continued weaving and dyeing using traditional hand tools, looms and techniques; she is committed to slow, sustainable textile practices using recycled and local materials. A professional weaver and instructor with a studio in Guilderland, New York, Stephanie’s work continues to be guided by the idea that fabrics made by human hands are imbued with something more than just technical excellence; they express human ideas, energy and emotion that enrich their practical value.