The craftsmanshipThe Art Glass DifferenceWhy hand-cast art glass beats molded glass & resin, the many shapes our artisans create, and how to spot the real thing. ▦ Material comparison ✦ One craft, many shapes 🔍 Spot genuine glass Open 01 · Material Comparison Hand-cast art glass vs. molded glass vs. resin Three materials look similar in a thumbnail — but live very differently on your wall. Here's how our hand-cast art glass compares. Our Hand-Cast Art Glass Molded / Pressed Glass Resin / Acrylic Imitation How it's made Hand-cast & shaped by artisans, one piece at a time Machine-pressed in a fixed mold, mass-produced Liquid resin poured into a mold, mass-produced Texture & pattern Unique crackle texture — no two tubes alike Identical, repeating pattern on every unit Flat, "printed-on" look; texture feels superficial Light quality Deep, layered glow; light refracts through real glass Even but flat; little depth or movement Dull, slightly cloudy; can look plasticky when lit Feel & weight Substantial, cool, solid in the hand Solid but uniform Noticeably light, warm, hollow-feeling Color over time Color is in the glass — won't fade or yellow Stable color Can yellow or cloud with heat & UV over time Heat tolerance High — glass handles bulb heat well High Lower — can warp or discolor near heat Character A one-of-a-kind work of glass art A functional, uniform fixture A budget look-alike The takeaway: hand-cast art glass costs more to make, but it's the only one that gives you genuine depth of light, individual character, and lasting color — the qualities that make a fixture feel like art rather than hardware. 02 · Forms & Shapes One craft, many shapes Every piece begins the same way — molten glass, hand-cast and shaped by our artisans. From that single craft comes a whole family of forms, each catching and releasing light in its own way. Hand-shaping molten glass Forming the textured surface Shaping each piece by hand Crafting the crackle texture Bringing color to the glass Finished glass tubes Assembled into the fixture ✦ Custom shapes & colors available Looking for a different shape, size, or color in this art glass? We offer full customization — just reach out and our designers will help. 03 · Buy With Confidence How to spot genuine art glass Online photos can make resin and glass look alike. Here's how to tell the difference once it's in your home — every point below describes our fixtures. 1 Pick it up Real glass is cool and substantial. Resin feels warm, light, and hollow. Our tubes have real weight — many customers say the heavy box was their first clue it's genuine. 2 Look at the texture Hand-cast crackle texture has true depth you can feel with a fingertip. Resin texture looks like it's printed on a flat surface. 3 Turn on the light Glass refracts light into a layered, moving glow. Resin tends to look flat, dull, or slightly cloudy when lit. 4 Compare two pieces No two hand-cast tubes are exactly identical. If every piece looks machine-perfect and matched, it's molded — not artisan glass. Our promise: every fixture is genuine hand-cast art glass. Slight variation between pieces isn't a flaw — it's proof it was made by hand. Exclusive Customization Made To Order Love the design but need it tailored to your space? We offer comprehensive customization solutions — dimensions, surface finishes, chain lengths, and more. Simply tell us your requirements, and we'll take care of the rest. Our Hand-Blown Glass Color Palette Custom Size Surface Finish Glass Color Chain Length Light Count Step 01 Share Your Idea Message us online and get a fast response to your brief. Step 02 Expert Consultation Our designers advise on size, finish, and proportion for your room. Step 03 We Craft It Made to spec and inspected before it ships. support@korewolamp.com Two colours inside one piece of glass. The Lisette Curved Petal Glass Chandelier layers curved glass petals in tiers around a slim metal frame, each one hooked on individually so it hangs at its own slight angle. Every petal shades from a clear sky blue at the tip to a milky opal white through the body — two colors in one piece of glass, which is what gives the fixture its watery, shifting surface instead of a flat wash of color. A petal that bends under its own weight, catches at the edge, and thickens where it turns — none of that can be carved, only formed. Lisette gathers dozens of them into overlapping rows, tip pointing down, so the fixture reads as a bloom opening from the ceiling. Lit, the opal core diffuses the bulbs into a soft glow while the blue edges stay translucent and cool. Unlit, it holds its color against a white ceiling and reads as a piece of glass sculpture. Available with a gold frame and chain or a chrome frame and chain, for hardwired ceiling installation. 1 Blue and Opal in the Same PetalNot two coloured pieces assembled together. Each petal carries both, graduating from translucent blue at the edge to dense milky white at the centre. Because the colour runs through the material, it cannot chip off an edge or fade with age the way a surface coating does. 2 One Petal Doing Two JobsThe opal centre is dense enough to hide the lamps and spread their light into an even glow. The blue edge stays translucent and lets light pass straight through. So you get diffusion where you need it and colour where you can see it — from a single piece of glass. 3 Rows That Overlap, Not MeetEach row sits below and inside the one above, so petals overlap instead of lining up edge to edge. Standing beneath it you look through one layer of glass into the next, which is what gives the fixture depth rather than a flat silhouette. 4 Every Petal on Its Own HookNothing is moulded into a panel and nothing is glued. Each petal hangs from its own hook on the frame, which is why they settle at slightly different angles — and why a single damaged petal is unhooked and replaced on its own. Dimensions & Placement ∅ 27.5″ × H 21.6″ ∅ 70 × H 55 cm · total drop including chain: [__]″ · chain adjustable at installation Over a Dining TableAt 27.5″ across it suits a round table of 48–55″ or a rectangular one 40″ wide. Hang the lowest petal 30–36″ (75–90 cm) above the tabletop — lower than you would anywhere else, because nobody walks beneath a table and the colour is worth having close. Entry or Stairwell LandingCeilings of 9 ft (2.7 m) and up. This is where the colour earns its keep — it is the first thing seen from the door. Centre it over the open floor rather than the doorway, and keep 7 ft (2.1 m) of clearance anywhere people walk. Bedroom or Living RoomThe opal centre hides every lamp, so there is nothing bare in your sightline from a bed or a sofa. Works best against a white or pale ceiling, where the blue reads clearly instead of disappearing into a dark surface. Where It Must Not GoRated IP20 — no protection against water. Not for a bathroom, above a bath or shower, in a laundry, or on a covered porch or balcony. Those need a damp- or wet-rated fixture. Think About the Ceiling Behind It Most chandeliers are neutral, so the ceiling barely matters. This one is not. Blue glass reads strongest against white or pale plaster and loses definition against dark or heavily coloured ceilings — worth checking before you order, because it is the one variable that changes how the fixture looks more than anything else in the room. The chain shortens on site by removing links. If you need more length for a stairwell or a tall entry, tell us your ceiling height when you order and we will supply extra before it ships. Specification MaterialMetal Frame · Curved Glass Petals Body finishGold or Nickel GlassBlue and white — each petal graduates from translucent blue at the rim to milky opal at the centre Dimensions∅ 27.5″ × H 21.6″ (∅ 70 × H 55 cm) — total drop including chain 59″ Light sourceLED or Edison bulb — warm white 2700K recommended Bulb baseE12 / E14 (bulbs not included) — the small screw base used for candle bulbs; E12 in North America, E14 in Europe and most of Asia VoltageAC 110–240V CertificationUL / CE / SAA ControlWall switch — dimmable with dimmable bulbs on a compatible dimmer SuspensionChain — shortened on site by removing links WiringHardwired — professional installation recommended MountingCeiling Ingress ratingIP20 — indoor, dry locations only ApplicationDining room · entry · stairwell landing · bedroom · living room Customized serviceYou can easily customize the size, finish color, number of light sources, and hanging wire & chain length. Simplify the customization process and communicate directly with our designers online. Please feel free to contact us by email if you have any questions. Our email: support@korewolamp.com What Makes It Special 01 A Curve Glass Falls Into Look at the shape of one petal. It bends, catches at the edge, and thickens where it turns — and none of that can be carved. A curve like this comes from glass moving while it is still soft, taking the shape that gravity and the edge of a mould give it. That is why every petal is fractionally different from the next, and why the row of them never quite lines up. The mid-century designers who first built fixtures this way were doing something specific: they stopped asking glass to imitate cut stone and let it do the one thing stone cannot. 02 Colour You Can See, Light That Stays Warm This is the question people ask about any coloured fixture: will it turn my room blue? It will not. The blue lives in the rims, which are thin and translucent, while the light itself passes mainly through the dense opal centres — so what lands on your table is warm and white, and what you see when you look up is blue. Switched off, the fixture keeps its colour completely, holding it against a pale ceiling as a piece of glass sculpture rather than going grey the way clear glass does. 03 Gold or Nickel Changes the Whole Room The same glass reads two different ways depending on the metal behind it. Gold warms the blue, pulls it toward turquoise, and sits the fixture in a classic or transitional room. Nickel cools it, sharpens the blue toward ice, and puts the same piece squarely in a modern one. It is worth deciding by the room rather than by preference — and if you are torn, match whatever metal already runs through your cabinet hardware and taps. The Design The One Thing in the Room That Has Colour Everything else you own is beige. This is the exception. Think about the room you are standing in. Walls somewhere between white and greige. A sofa in oatmeal. Wood floors, a stone counter, brushed metal handles. It is a good room — calm, considered, nothing shouting. And there is a reason it feels slightly unfinished, which is that every single thing in it is a neutral. Colour is the hardest thing to bring into a room like that. Paint a wall and you have committed the whole space. Buy a blue sofa and you will live with it for a decade. Cushions and vases sit at hip height where they read as clutter rather than intention. But a chandelier holds colour at the one height where nothing else competes with it — above eye level, against a white ceiling, framed by empty air on every side. It is the safest place in a room to be brave. Lisette is built for exactly that job. Each curved petal graduates from a clear sky blue at the rim to a milky opal white through its centre, so the colour has depth rather than sitting flat — it goes from ice at the edges to almost nothing at the core, and shifts as you move beneath it. And here is what makes it liveable: the blue is what you see, not what you get. Light passes mainly through the dense opal centres and lands on your table warm and white. You look up and the fixture is blue. You look down and dinner looks the way it should. The Table Nobody Leaves The opal centres hide every bulb, so there is no glare across the table — just warm light on the plates and something worth looking up at. Answering the Door Colour above the entry is the first thing anyone registers, and it decides how the rest of the house reads before they have taken their coat off. Every Hour It Is Switched Off Clear glass goes grey in daylight. Blue glass does not — it holds its colour against a pale ceiling and stays sculpture all day. Above eye level, against a white ceiling — the one place a room can afford colour. Questions, Answered Before You Order The colour, the ceiling — including sloped ones — and the bulbs. 01Will the blue glass make my whole room look blue? No. This is the question everyone asks about a coloured light, and the answer comes down to where the blue actually sits. Each petal is blue only at the thin outer rim. Through the middle it turns milky white, and that white part is thick and dense. Most of the light leaves through the middle, so what lands on your table is warm and white — the same as any ordinary fixture. The blue is what you see when you look up at it. The light itself does not carry it. 02Is it the right size for my table? It measures 27.5″ across and 21.6″ tall. As a rule the light should be about half the width of the table, so this suits a round table of 48–55″, or a rectangular table around 40″ wide (the length does not matter — only the width). Hang the lowest petal 30–36″ above the tabletop. That sounds low, but nobody walks under a table, and it is where the colour looks best. 03Can I hang it on a sloped or vaulted ceiling? Yes — this is one of the better fixtures for a slope, because it hangs on a chain. A chain always hangs straight down no matter what angle the ceiling is, so the chandelier itself will sit perfectly level. A fixture mounted on a rigid rod would tilt; this one will not. There is one part that does need attention. The round metal cover at the ceiling — the piece that hides the wiring — is made to sit flat. On a slope it will leave a gap on the high side. The fix is a sloped ceiling adapter, a small angled plate that goes between the ceiling and the cover so it sits flush. Any electrician will know the part, and most hardware stores carry them. Tell us your ceiling angle when you order and we will confirm what you need. The other thing to check is the low side of the slope. The chandelier is 27.5″ wide, so it takes up real space — measure the height at the point directly under where the edge of the fixture will sit, not just at the highest point of the ceiling. Keep 7 ft of clearance anywhere people walk beneath it. 04What bulbs does it take, and are they included? It takes small screw-in bulbs — the kind you would put in a candle-style fixture. E12 in the US and Canada, E14 in Europe and most of Asia. It needs [__] of them, and they are not included. Choose warm white, around 2700K. Cool white light fights the blue in the glass and makes the whole fixture look grey and hospital-like. Either LED or Edison-style bulbs work. 05Can I dim it? Yes, but you need dimmable bulbs on a dimmer switch. Ordinary bulbs will not dim no matter which switch you fit — that is the most common reason people think a new light is faulty when it is not. Buy all the bulbs dimmable rather than mixing types, and check your dimmer can handle the total wattage of all of them together. 06Can I put it in a bathroom or outside? No. This is rated IP20, which means indoor dry rooms only — it has no protection against water at all, not even steam. Dining room, entry, hallway, bedroom, living room: all fine. Not a bathroom, not above a bath or shower, not a laundry, and not a porch or balcony even if it has a roof over it. Those spots need a light specifically rated for damp or wet conditions. 07Should I choose gold or nickel? The glass is identical; the metal changes how the blue reads. Gold warms it and pulls it toward turquoise, which suits a classic or traditional room. Nickel cools it and sharpens it toward ice blue, which suits a modern one. If you cannot decide, look at your door handles, taps, and cabinet knobs and match whichever metal you already have most of. That is the choice you will be happiest with in five years. 08Is it heavy? Will my ceiling hold it? Glass is heavier than it looks, and this has a lot of it. Before ordering, check that the electrical box in your ceiling is rated to carry the weight and is screwed into a wooden joist — not just into the plasterboard. A standard box holds far less than most people assume. It is a five-minute question for your electrician and much easier to ask now than after delivery. Ask us for the exact weight and pass it along. 09How do I clean it? Switch it off and let the bulbs cool completely first. Then use a soft dry cloth on one petal at a time, working from the top row down so dust falls away from what you have already cleaned. Twice a year is plenty. Skip sprays and anything scratchy — liquid runs into the hooks and dries as a mark, and a scratch on glass does not come out. 10What if one of the petals breaks? That petal comes off on its own and a new one goes on. Each one hangs from its own hook, so you are never sending the whole chandelier back over a single piece. If anything is damaged on arrival, send us photos within 24 hours of delivery and we will replace the affected petals. After that we keep spares for this fixture and can send them at any time — just tell us which finish you have. Sloped ceiling, or not sure about the size? Send us the ceiling angle and your table width and we will tell you. Ask a Question Also in This Shape Three Ways to Colour a Ceiling The same curved-petal silhouette in three colours and three scales. They are not three prices for one thing — the colour decides what happens to your room, and the diameter decides which room it can go in. Smallest Auriane Pebbled Champagne Glass Chandelier ∅ 19.7″ · Champagne · Gold The quietest of the three. A pale tea-gold with a hammered pebbled surface, warm enough to soften a room without recolouring anything in it. Choose this if your room is small or already pale, and you want warmth rather than a statement. $895.00 View Product Five Tiers Isadora Cascading Amethyst Glass Chandelier ∅ 39.4″ · Amethyst · Gold 122 petals across five tiers. Deep aubergine unlit; switch it on and the light comes through amber-rose instead of purple. Choose this if you want the fixture to be the event — and you have a 52–60″ table or a double-height entry to put it over. $4,795.00 View Product Largest Solene Amber Glass Petal Chandelier ∅ 47.2″ · Amber · Nickel or Gold The full golden-hour version, and the biggest at 47.2″ across and 47.2″ tall. Amber commits a room — everything under it goes warm. Choose this if you have a dark dining room, walnut or leather, and a 12 ft ceiling to hang it from. $6,295.00 View Product Not sure which? The colour is the harder decision, not the size. Tell us the wall colour, the wood tone and how much daylight the room gets, along with your ceiling height and table width, and we will tell you which of the three suits it — including when the smallest one is the right answer. Email support@korewolamp.com.
Gold + Blue + White, Nickel + Blue + White