Genesis

In Genesis, a pale path recedes through a muted landscape toward a dark, triangular elevation. The scene is built from softened horizontal bands and partially dissolved forms, allowing the terrain to remain recognisable without becoming a fixed description of place. The acrylic surface is visible beneath the thin, atmospheric handling, giving the image a material instability that mirrors its uncertain spatial depth. Part of Apocalypse, an ongoing body of paintings by Wilame Lima, the work approaches landscape as a reduced structure: a few remaining cues through which a place can still be perceived.