Without Apology

Phoenix wasn't supposed to look finished — it was supposed to look caught mid-rise, feathers still falling into place, nothing smoothed down or apologized for. The doubt wanted fewer lines, calmer edges, something easier to explain in a showroom. I drew more instead. This print holds that decision: every overworked, unapologetic stroke that became a chair built to look like it's still becoming itself. An archival giclée print of the original sketch for Phoenix, reproduced on museum-grade cotton rag paper. Available framed ([ white, black, oak / walnut], museum glass) or unframed, in 400mm x 400mm. Limited to 300 editions, numbered and signed — a companion piece to the Phoenix Chair, one of only 12 editions ever made.