Cocoon Faceted Rose Glass Chandelier

The craftsmanshipThe Art Glass DifferenceWhy hand-cast art glass beats molded glass & resin, the many shapes our artisans create, and how to spot the real thing. ▦ Material comparison ✦ One craft, many shapes 🔍 Spot genuine glass Open 01 · Material Comparison Hand-cast art glass vs. molded glass vs. resin Three materials look similar in a thumbnail — but live very differently on your wall. Here's how our hand-cast art glass compares. Our Hand-Cast Art Glass Molded / Pressed Glass Resin / Acrylic Imitation How it's made Hand-cast & shaped by artisans, one piece at a time Machine-pressed in a fixed mold, mass-produced Liquid resin poured into a mold, mass-produced Texture & pattern Unique crackle texture — no two tubes alike Identical, repeating pattern on every unit Flat, "printed-on" look; texture feels superficial Light quality Deep, layered glow; light refracts through real glass Even but flat; little depth or movement Dull, slightly cloudy; can look plasticky when lit Feel & weight Substantial, cool, solid in the hand Solid but uniform Noticeably light, warm, hollow-feeling Color over time Color is in the glass — won't fade or yellow Stable color Can yellow or cloud with heat & UV over time Heat tolerance High — glass handles bulb heat well High Lower — can warp or discolor near heat Character A one-of-a-kind work of glass art A functional, uniform fixture A budget look-alike The takeaway: hand-cast art glass costs more to make, but it's the only one that gives you genuine depth of light, individual character, and lasting color — the qualities that make a fixture feel like art rather than hardware. 02 · Forms & Shapes One craft, many shapes Every piece begins the same way — molten glass, hand-cast and shaped by our artisans. From that single craft comes a whole family of forms, each catching and releasing light in its own way. Hand-shaping molten glass Forming the textured surface Shaping each piece by hand Crafting the crackle texture Bringing color to the glass Finished glass tubes Assembled into the fixture ✦ Custom shapes & colors available Looking for a different shape, size, or color in this art glass? We offer full customization — just reach out and our designers will help. 03 · Buy With Confidence How to spot genuine art glass Online photos can make resin and glass look alike. Here's how to tell the difference once it's in your home — every point below describes our fixtures. 1 Pick it up Real glass is cool and substantial. Resin feels warm, light, and hollow. Our tubes have real weight — many customers say the heavy box was their first clue it's genuine. 2 Look at the texture Hand-cast crackle texture has true depth you can feel with a fingertip. Resin texture looks like it's printed on a flat surface. 3 Turn on the light Glass refracts light into a layered, moving glow. Resin tends to look flat, dull, or slightly cloudy when lit. 4 Compare two pieces No two hand-cast tubes are exactly identical. If every piece looks machine-perfect and matched, it's molded — not artisan glass. Our promise: every fixture is genuine hand-cast art glass. Slight variation between pieces isn't a flaw — it's proof it was made by hand. Exclusive Customization Made To Order Love the design but need it tailored to your space? We offer comprehensive customization solutions — dimensions, surface finishes, chain lengths, and more. Simply tell us your requirements, and we'll take care of the rest. Our Hand-Blown Glass Color Palette Custom Size Surface Finish Glass Color Chain Length Light Count Step 01 Share Your Idea Message us online and get a fast response to your brief. Step 02 Expert Consultation Our designers advise on size, finish, and proportion for your room. Step 03 We Craft It Made to spec and inspected before it ships. support@korewolamp.com The colour stays in the fixture. It does not land on your walls. Cocoon Faceted Rose Glass Chandelier Every piece on this chandelier is a small polyhedron — flat planes meeting at angles rather than a smooth curve. That is the entire reason it behaves the way it does. A curved shade lets light out evenly. A faceted one breaks it. Each plane catches the lamp at a different angle and sends it somewhere else, so instead of a few bright points you get hundreds of small ones, spread across the whole surface. It is the effect people usually buy heavy cut glass for, without the weight or the price that comes with it. Pink in lighting has a reputation, and it is earned by the wrong pinks: opaque, saturated, and lit from behind so the colour floods the room. This is neither. The glass is transparent and pale, so it holds its colour in the fixture rather than casting it. Lit with a warm lamp it reads closer to warm champagne than to pink — the colour is in the object, not on your walls. It is the difference between a room with a rose chandelier in it and a room that has been made pink. 1 Facets Break the LightA curved shade releases light evenly. A faceted one splits it: each plane catches the lamp at a different angle and sends it somewhere else, so instead of a few bright points you get hundreds of small ones spread across the whole surface. It is the effect people usually buy heavy cut glass for. 2 Transparent, Not Opaque — Which Is Why the Room Stays NeutralMilky coloured glass casts its colour onto everything beneath it. This glass is clear and pale, so it tints what you see through it and nothing else. Lit with a warm lamp it reads closer to warm champagne than to pink. 3 Layers Give It DepthThe pieces overlap, so light crosses more than one before it leaves — deeper in colour where they cross, paler at the outer edges. A single layer of the same glass would look flat. It also means the lamps disappear: from below there is a glowing mass, not a bulb. 4 Every Piece Clips On SeparatelyNothing is set into a moulded panel. One chipped piece is unclipped and replaced on its own rather than a two-foot chandelier going back by freight for the sake of one piece of glass. Dimensions & Placement ∅ 22.4″ × H 13″ · 57 × 33 cm Over a Round Dining TableAt 22.4″ across it suits a round table of roughly 48–60″ (120–150 cm) — a chandelier should read as clearly narrower than the tabletop. Hang the lowest piece 30–36″ (75–90 cm) above the surface. A Standard Ceiling Suits ItOnly 13″ of body before any chain, so this fits an 8 ft ceiling without crowding it — wide and shallow rather than tall. That makes it an ordinary-room fixture, not a stairwell one. Dressing Room, Bedroom or EntryIt works best where the rest of the room is quiet — pale walls, plaster, wood or white — because it is the thing you are meant to look at. Keep the lowest piece at least 7 ft (2.1 m) off the floor anywhere people walk beneath it. Where It Must Not GoRated IP20 — no protection against water. Not for a bathroom, above a bath or shower, in a laundry, or on a covered porch. Those need a damp- or wet-rated fixture. Specification MaterialMetal Frame · Faceted Glass Glass colourRose — Transparent, Faceted Body finishGold, Nickel Light sourceLED or Edison filament bulb Recommended bulb2700K warm white — a cool bulb turns pale rose grey. Same bulb in every socket. Bulb baseE12 (bulbs not included) VoltageAC 110–240V CertificationUL / CE / SAA ControlWall switch — dimmable with dimmable bulbs on a compatible dimmer WiringHardwired — professional installation recommended MountingCeiling Ingress ratingIP20 — indoor, dry locations only Warranty1 year ApplicationDining room · living room · bedroom · dressing room · entryway CustomisationSize, finish, number of lights, chain length — talk to us before ordering Customized serviceYou can easily customize the size, finish color, number of light sources, and hanging wire & chain length. Simplify the customization process and communicate directly with our designers online. Please feel free to contact us by email if you have any questions. Our email: support@korewolamp.com What Makes It Special 01 Why It Doesn't Read as Sweet Pink in lighting has a reputation, and the wrong pinks earn it: opaque, saturated, lit from behind so the colour floods everything beneath. Neither applies here, and the difference is worth understanding before you decide. This glass is transparent and pale, which means it tints what you look through rather than what the light lands on — the walls stay the colour they were, the table stays the colour it was, and the rose stays where you can see it. Lit at 2700K it reads closer to warm champagne than to pink. It is the difference between a room with a rose chandelier in it and a room that has been made pink. 02 Hundreds of Small Highlights, Not a Few Bright Ones Every piece here is a polyhedron: flat planes meeting at angles rather than a smooth curve. A curved shade lets light out evenly and gives you one bright zone. A faceted one breaks it up — each plane catches the lamp differently and throws it somewhere else, so the sparkle is spread across the entire surface rather than concentrated in two or three places. Multiply that by several hundred pieces in overlapping tiers and the fixture never presents a flat face from any angle. It is the effect people reach for heavy cut glass to get, at a fraction of the weight hanging from the ceiling. 03 Made to Your Room, Not Ours Diameter, finish, the number of lights, the length of chain — all of it can be changed before the piece is made. At 22.4″ across this suits a 48–60″ round table, and someone with a longer table or a wider room would otherwise have to buy the wrong scale or buy elsewhere. Tell us the room and we will build to it. It is also why the glass clips on piece by piece rather than being moulded into panels — a fixture assembled from individual pieces can be made in any configuration, and a single damaged piece can be replaced without the chandelier leaving the ceiling. 59″ 150cm Hanging Height Every fixture ships with a 150 cm / 59″ chain, shortened at installation by removing links — so the drop is set in your room, not at our factory. Please contact us if you require a longer length. Sloped ceiling version Raked or Vaulted Ceilings Standard canopies are flat, so a specific style is required for sloped ceilings. Please contact us if you need a model designed for sloped ceiling installation. The Design The Colour Stays in the Glass It tints what you look through. Not what the light lands on. Pink in lighting has a reputation, and the wrong pinks earned it: opaque, saturated, lit from behind so the colour floods the table and the walls and everyone sitting under it. That is a real thing, and it is worth saying plainly — because it is not what happens here. This glass is transparent and pale. Transparent glass tints what you look through it; it does not colour what the light falls on. So the walls stay the colour they were, the table stays the colour it was, and the rose stays where you can see it. Lit with a warm lamp it reads closer to warm champagne than to pink. It is the difference between a room with a rose chandelier in it and a room that has been made pink. The other decision is the shape of each piece. Every one is a polyhedron — flat planes meeting at angles rather than a smooth curve — and a faceted surface does not release light, it breaks it. Each plane catches the lamp differently and throws it somewhere else, so instead of two or three bright zones you get hundreds of small highlights spread across the whole surface. Multiply that by several hundred pieces in overlapping tiers and the fixture never shows a flat face from any angle. The overlap does the last part. Light crosses more than one piece before it leaves, so the rose deepens where they cross and pales toward the outer edges — depth of glass, not a printed gradient. It also hides the lamps completely. From a chair at the table you see glowing glass and no bulb at all. Switched Off, at Noon Faceted glass catches daylight the same way it catches lamplight. It is an object all day, not a fixture waiting for the evening. Dinner, With the Lamp On No bulb visible from any seat. Hundreds of small highlights above the table, and a colour that stays in the chandelier. Turned Down Low Dimmed, the highlights fade before the colour does — so late in the evening the rose is the last thing left in the room. A room with a rose chandelier in it — not a room that has been made pink. Questions, Answered Before You Order The colour, the bulb, and where it fits. 01Will a pink chandelier look childish? It depends entirely on the pink. Opaque, saturated pink reads as a nursery. This glass is transparent and pale, which is a different thing altogether. Lit with a warm bulb it reads closer to warm champagne than to pink. Put it in a room with pale walls, wood or plaster and it is a decorative object with a colour — not a themed room. 02Will it make my walls look pink? No. Transparent glass tints what you look through, not what the light lands on. The walls stay the colour they were. What casts colour is milky or opaque coloured glass — and that is where most people's bad experience of coloured lighting came from. 03Which bulb should I use? 2700K warm white, and it matters more here than on most fixtures. A 4000K or daylight bulb turns pale rose grey and dead — same glass, none of the reason you bought it. [__] × E12, not included. Use the same bulb in every socket: through transparent glass, one odd colour temperature shows from across the room. 04Will I see the bulbs? No. The pieces overlap in tiers, so the lamps are screened from every angle. From a chair at the table you see glowing glass and no bulb at all. 05Is it crystal? It is faceted glass. Each piece is a polyhedron — flat planes meeting at angles rather than a curve — and a faceted surface breaks light rather than releasing it. That gives the sparkle people associate with heavy cut crystal, at a fraction of the weight hanging from your ceiling. 06What size room does it suit? At 22.4″ across and only 13″ tall, this is wide and shallow — it fits a standard 8 ft ceiling without crowding it. Over a round dining table it suits roughly 48–60″ across. It is an ordinary-room fixture, not a stairwell one. 07How high do I hang it? 30–36″ from the tabletop to the lowest piece. Anywhere people walk beneath it, keep 7 ft clear of the floor. The chain shortens on site — for a taller ceiling, tell us before it ships. 08Will my ceiling take the weight? Ask before ordering. Several hundred glass pieces hang from one ceiling point, and a standard junction box carries less than most people assume — a brace may be needed. Ask us for the weight and give it to your electrician. 09How do I clean it? Power off, let the bulbs cool, then a soft dry brush rather than wiping each piece. No ammonia sprays. Be realistic: faceted glass shows dust more than smooth glass does — every plane catches it. Twice a year at least, and more if the room is used for cooking. 10Can I change the size or the number of lights? Yes. Diameter, finish, light count and chain length can all be changed before it is made — it is built after you order. Tell us the room and the table size and we will work it out with you. 11If a piece breaks? Where can't it go? Replaced on its own — every piece clips on separately, so the chandelier stays up. Photos within 24 hours if damaged in transit; spares held after that. Indoor, dry rooms only — IP20, no water protection. Not above a bath, in a shower, or on a covered porch. Before You Install Two Guides, Written for This Most installation questions come up twice — once when you are deciding where a light goes, and again when it is in your hands. We wrote one guide for each. Step One — Deciding Installation Scenario Guide Which room, which size, and how high. Read this before you order, while the choice is still open and nothing has been drilled. How high to hang over a table, an island, a stairwell Matching fixture size to room size and table width Clearance in walkways, and what a low ceiling changes Where a fixture should not go at all Read the Scenario Guide Step Two — Fitting Installation Process Guide The fitting itself, step by step. Read this when the box arrives — ideally before you open it. Unpacking glass safely, and what to check on arrival Junction box weight, support, and when to add a brace Wiring, canopy fitting, and setting the chain length Why two people make almost every fixture easier Read the Process Guide Ceiling, Wall, Floor The Same Facets, a Different Colour This chandelier is faceted glass in rose. One of these puts the same glass on the wall in amber. The other changes the subject entirely. You're Viewing Cocoon Faceted Rose Glass Chandelier Ceiling · Faceted Rose Glass Hundreds of faceted pieces in overlapping tiers, ∅ 22.4″ × H 13″. Wide and shallow, so it fits a standard ceiling — and the colour stays in the glass. This one covers the table people sit at. $1595.00 Currently Viewing Same Glass, Warmer Amber Faceted Glass Wall Sconce Wall · Faceted Amber Glass The same faceted pieces, brought down to eye level in amber rather than rose. That is deliberate, not a mismatch — the wall wants the warmer of the two, and a dining room lit only from the ceiling reads as one bright object and four dark walls. Choose this if the room has a wall worth lighting, or somewhere with no ceiling box. Most people take a pair. $265.00 View Product No Wiring Greeter Sculpture Floor Lamp Floor · Sculptural A change of subject. Everything above is geometry — facets, tiers, repetition. This is a figure, which is why it sits beside them as a contrast rather than a repeat. It is also the only one of the three that needs no electrician: it plugs in. Choose this if you are furnishing a corner rather than lighting a table — or renting, and cannot touch the ceiling. $1,980.00 View Product