Size: 40.5 x 51 cm Medium: Acrylic on pre-stretched canvas FREE SHIPPING ON ORDERS OVER $150 Minjangari Minjangari is our word for water lilies. They grow in billabongs all year round. They are best to eat in the cold weather – June to August. When they are in flower we can eat the stems raw, they are like celery. Then we go down and eat the bulb, it tastes a little like sour peanuts. We only eat it cooked on the coals in the fire. Later, when the seed pods form we can eat the seeds. Artist Bio – Kieren Karritpul Kieren Karritpul is an outstanding and award winning artist who has work has been featured in solo exhibitions with Nomad (Darwin) and Tolarno Galleries (Melbourne) and group exhibitions around the world. His most recent solo exhibition was YERR WURRKEME MARRGU in May 2025 at Tolarno. See the exhibition here. Born 1994, lives and works in Nauiyu, Daly River, Northern Territory, Australia Traditional Country: Malfiyin Language: Ngen’gi wumirri In Daly River artist Kieren Karritpul’s art there is no escaping the woven lines of inspiration. The woven form is both subject and metaphor in his work, and also to some extent part of their process. In his first solo exhibition, Karritypul, the titles of his paintings, prints and textile-based work all indicated a particular woven form including the yerggi which is actually a pre-woven form, yerrgi being the Daly River word (Ngan’gikurrungurr language) for the ubiquitous pandanus plant, the Screw Palm, Pandanus spiralis which together with the Sand Palm (merrepen, Livistona humilis) are the main sources of fibre for Top End weavers…. In these abstracted views, the woven form almost becomes mandala-like with the imagery built up from radiating bands of short parallel lines. In this sense the line can be seen as a faithful transposition of the coil weave technique rather than the traditionally longer, looser stitches though it is in effect more about Kieren’s visual-poetic licence in the process of translating one form into another to become something much more than what it represents; to transcend. – Maurice O’Riordan, Director, Northern Centre for Contemporary Art, 2015 (Woven Lines catalogue essay excerpts)