Anamorphic Mobile Lens II (T-Series)

Make classic movies on your phone. The Anamorphic Lens gives you the iconic widescreen look — horizontal flares, oval bokeh, and a gentle squeeze that adds cinematic depth without overdoing it. With less edge distortion, it works just as beautifully for photo as it does for video. Available in three distinct looks - PanaBlue, Gold42, and Natural. These aren't presets, they are optical decisions, rooted in physics and cinema history. Because anamorphic has never been about perfection. It's about what happens when light breaks, and what you choose to do with it. Classic 2.40:1 Widescreen – A subtle horizontal squeeze and oval bokeh deliver a timeless cinematic frame — ideal for narrative, documentary, and everyday filmmaking. Three Looks – PanaBlue for classic anamorphic character. Gold42 for warm, expressive light. Natural for neutral, truthful flare. Same optical foundation, three different flare philosophies. Cinema-Grade Glass – Three-element, all-glass construction shapes light before software touches it, for depth, texture, and falloff a digital filter can't fake. Featherlight™ Housing — CNC-machined aerospace-grade aluminum with a blackened interior — strong, light, and built to keep light where it belongs. Mobile Bayonet Mount — Our purpose-built bayonet system for phones — guided alignment and a quick twist-to-lock attachment that holds steady on the move. Moment Lens Formula — Our proprietary optical design adds depth, natural falloff, and subtle compression — for a look that feels intentional and cinematic. Works With 67mm Filters — Pair with our 67mm Anamorphic Lens Filter Mount to add VND, CPL, or Cinebloom (our diffusion filter) Lifetime Guarantee — Built to last. Covered for life with Moment's no-hassle warranty. Weight: 43.5g Height: 33mm Width: 33mm Length: 26.2mm Magnification Ratio: 1.33x/1.55x Horizontal Squeeze Aspect Ratio (Video): 2.40:1 Cinemascope (after de-squeeze) for 1.33x, 2.76:1 Cinemascope (after de-squeeze) for 1.55x Viewing Angle: 113 deg for 1.33x / 120 deg for 1.55x Distortion: Vintage Anamorphic barrel-type distortion / -18% for 1.33x, Vintage Anamorphic barrel-type distortion / - 37% for 1.55x Later Color: Minimized Design: 3 Cylindrical elements Lens coating: Anti-reflection coatings create vintage horizontal blue flares Orientation: Unidirectional, the mount can be rotated 90 degrees depending on mobile device PanaBlue Best for: Epic scale, genre storytelling, science fiction, action Flare character: Moment’s Blue Anamorphic is tuned to feel authentic, not aggressive — a softer, purer blue that recalls classic Panavision and Todd-AO lenses, not the harsh sci-fi flares of modern glass. Philosophy: Honor the flaw that defined cinematic spectacle. Inspired by the earliest coated anamorphic cinema lenses, Blue recreates the most iconic “flaw” in film history. Gold42 Best for: Narrative films, portraits, travel, emotional storytelling Flare character: Warm golden streaks that react to light color Philosophy: Let warmth and emotion shape the image. Inspired after the legendary ISCO Iscorama 42, Gold flares feel alive — warmer in daylight, richer under tungsten and sunset. Not a fixed color, but a dynamic response to real light. Neutral Best for: Modern cinema, commercial work, color-critical workflows Flare character: Neutral horizontal streaks true to the light source Philosophy: Precision, restraint, and creative control. This look offers maximum creative freedom. The anamorphic shape and bokeh remain, but the lens steps back and lets the cinematographer decide how the image feels. How to Use T-Series Anamorphic Lenses Mount it Attach your lens with a Moment Case, Stick-On Mount, or Universal Lens Mount. Check the compatibility chart to find what fits your phone. Orient it Rotate the lens to match your shot — landscape or vertical. The squeeze follows the lens, so set it before you roll. Desqueeze it Download the Moment Pro Camera app ($9.99 - iPhone) or Blackmagic Camera (Android) to desqueeze your footage in real time. No black bars, no post work — the lens uses your full sensor.